Sampling has been intrinsic to musical innovation for decades, but is there a code of conduct that producers should be following? https://t.co/qvJE27vuZb
When making tracks becomes a way to get Dj gigs, we all suffer. The art suffers. The craft suffers. It’s the equivalent of painting by numbers. Copy/paste does not make you a producer. Rant over. Love you all!
A killer Back To Mine 10 selection from @boranece to accompany his new release 'Reprise', backed by a remix from Mihai Popoviciu, look out for it on Son d’Étroit, and check the #BTM10 ⬇️
https://t.co/nGv0r786O4
@boranece Woohoo!! Your track "Reprise - Mihai Popoviciu Remix" reached #2 in the iTunes Techno Charts in United Kingdom! See all your stats on the Songstats App.
@boranece Woohoo!! "Reprise - Mihai Popoviciu Remix" reached #68 in the Minimal / Deep Tech Charts on Beatport! See immediately what's happening with your tracks on Songstats.
You could build an impressive, large studio filled with endless hardware. But it’s not necessary to make good music. I’ve done about 80% of my productions along with my engineer, Matt, in this space for the past 15 years. You don’t need big spaces, just big ideas and big dreams.
Really don’t know why DJ’s are so scared to play a vocal house track because they think it’s ‘commercial’ ! A lot of tech house DJ’s made their name from playing House & THEN decided to jump on the bandwagon and try be underground!!! You ain’t underground hun you’re a sell out 🤦🏼♀️
I really miss the days as a DJ when you didn't have to be a media king , you didn't care about your billing on a flyer, you didn't have a rider, no one knew what you had for dinner and no one cared about how many followers you had . All that mattered was making people dance