brandon

i play video games for @prosperseapp

[SciFi Art @retroscifiart]

Iconic Tom Jung art for Ralph Bakshi’s The Lord of the Rings movie poster (1978)

[Mark Ruffalo @MarkRuffalo]

The accusation that I am antisemitic is appalling and fundamentally dishonest. Criticizing the actions of the Israeli prime minister, a military technology contract, or the executives who supply it is not the same as criticizing Jewish people. This critical and necessary dialogue is then dishonestly framed as being anti-Israel. To be clear, my views come from my own political convictions and should never be interpreted as hostility toward Jewish people, for whom I have deep love and respect.  Everything I know about acting, activism, and humanism has been profoundly shaped by the Jewish friends, colleagues, and loved ones who have been integral and family throughout every point of my life.

This merger has real consequences for real people, and for the entire country. Scrutinizing the Ellisons, including Oracle’s business built on data, surveillance technology and government contracts, and the serious threat to editorial freedom and the loss of a livelihood for thousands of families, is fair and necessary. The $111 billion deal would hand one family control over CNN, HBO and Warner Bros., backed in part by foreign money whose influence on editorial decisions has never been fully explained to the public. 

Lawmakers on both sides of the aisle have called for serious national security review, and regulators still haven’t given the public a real answer. Until they do, the merger shouldn’t move forward. Now is the time to dive boldly into all these issues, not step back or concede.

[v2 @RedMattty]

They don’t make em like this anymore

[Undead Media VHS @undeadmedia_]

It wont happen, but if you just have batman show up unannounced and beat the shit out of clayface at the end of this, not only would it humanize villains, but would show us what its like to be having the worst day of your life only for him to show up and make it worse.

[豪雪 @diesel0212]

The Veiled Monarch
#ELDENRING

[paul @paulswhtn]

The third act of The Odyssey being like snorting 30 lines of narrative payoff cocaine

[brandon @BrandoCFL]

I think people who run stan accounts and obsess over celebrities are more mentally ill than actual psych patients

[blackstar @blackstarops]

the provisional IRA with their uzi’s and adidas track jackets (1990s)

[Katsuhiro Harada @Harada_TEKKEN]

From my perspective, Miyazaki is a rather unique, yet extremely serious game developer.

His career did not begin in the game industry. In fact, he didn’t become a game developer until he was almost thirty years old.

Even among developers of my generation (those of us born in the 1970s), I think it’s remarkable that someone who wasn’t even a game developer during the dawn of the polygon era eventually became one of Japan’s most representative game creators. (In other words, compared to the rest of us from the same generation—including myself—his career path is exceptionally unusual. Most notably, unlike many of us, he was not working at one of the major development studios that held a significant technological advantage during the early polygon era. That, more than anything else, is what makes his path so unique.)

Next, regarding my impression of Dark Souls.

People often focus on its difficulty as a game, but I believe Miyazaki’s true creativity shines through in the world he created. (By the way, I personally think Dark Souls has fairly simple action mechanics, and I don’t actually consider it to be an especially difficult game.)

If you look into my own career, you’ll see that I was personally involved with the Dark Souls series and Elden Ring as the General Manager overseeing both production and marketing (Just to clarify, I wasn't part of the development team itself. My involvement was simply as the General Manager of the publisher-side department overseeing production and marketing). From that perspective, I can say that Dark Souls didn’t suddenly become a massive success overnight. It was the result of everything Miyazaki and his team had built up through their previous titles.

Today, he receives offers from all over the world, but when I think back to the days when he and his team were struggling the most, many of those offers seem like they’re coming from people who only know who they are today. Some of them almost feel like complete reversals in attitude. Well, that’s just my personal perspective.

Personally, I had grown tired of people who would simply compare games by saying things like, “That title cost X billion yen to make and sold Y million copies,” and then use nothing but those numbers to judge them against other games. There were so many people who couldn’t appreciate the journey or the growth of the developers themselves. Anyone can look at the current numbers—they’re available to everyone. Whenever I heard those kinds of opinions, I always thought, “That’s exactly what you’d expect from someone who’s never actually developed games.”
What surprised me even more was that, even if people couldn’t properly evaluate that journey, almost nobody even seemed interested in trying to understand the process of how those developers gradually reached where they are today.
(I'm NOT talking about the fan community).

Now, going back to Miyazaki, there are two things about him that have always stayed with me.

The first was back when I was developing Summer Lesson for VR, around the time it was generating a lot of buzz.

One day, he came to try an early build of Summer Lesson along with people from several other game companies.

While everyone else was laughing, chatting, and having fun with it, Miyazaki alone played it with incredible seriousness. Then, after everyone had finished and started discussing their impressions, he remained completely silent, staring intently at the preview monitor, deep in thought.

Everyone became curious and finally asked him, “Miyazaki, what are you thinking about?”

He suddenly smiled and said,

“Oh… I got completely absorbed in thinking about what I would do if I were making this, and what kind of game I’d create.”

What he talked about after that was, in the best possible sense, completely insane.

It was one of those rare moments when I caught a glimpse of what I’d call his “mad scientist” side—his deeply serious, obsessive approach to creativity.

The other thing that left a strong impression on me was that he generally dislikes video interviews (including live streaming).

I once asked him about it by email, and he replied with quite a long explanation. After reading it, I completely understood where he was coming from.

Simply put, he doesn’t like watching himself moving around on video. (Psychologically speaking, it’s actually a bit more complicated than that.)

But there was another reason.

According to him, there are naturally many people in this industry who know games far better than he does. Whenever he listens to those people speak, he realizes that his own understanding is still shallow, and it makes him feel that he’s not yet in a position to be the one talking about games.

I mean… it’s common for well-known developers to say, “I still have a long way to go.”

But whenever someone like him says that, my reaction is always,

“Come on… if you say you’re still not there yet, then the rest of us won’t feel qualified to talk about games at all.” (laugh)

Anyway, that’s one of the reasons why video interviews with Miyazaki are extremely rare. And conversations with him on camera—especially long-form discussions with another developer—are even rarer. They almost don’t exist at all.

By the way, the other game developer in that photo is Masahiro Sakurai.

If you ask me, he’s basically:

“A Saiyan who genuinely believes he’s just another ordinary human.”

Every now and then, when the rest of us are struggling with some problem, he’ll say something that sounds exactly like Goku saying,

“Well… why don’t you just fly?”

And I’ll reply,

“Because we humans can’t use Flight Technique.”

Then he just stares at me with a completely puzzled look.

To put it in terms of Demon Slayer, I’d describe him as:

"Like Muzan Kibutsuji casually showing up at a drinking party where all the Hashira have gathered, genuinely believing he's just another ordinary guest".

That’s the kind of person he is.

[HIDEO_KOJIMA @HIDEO_KOJIMA_EN]

1/2
Eventually, even digital data will no longer be owned by individuals on their own initiative. Whenever there is a major change or accident in the world, in a country, in a government, in an idea, in a trend, access to it may suddenly be cut off.

[brandon @BrandoCFL]

Feels like I just watched my dog get shot in the head

[FaZe Esports @FaZeEsports]

Today we announce that we are moving broky to the bench and off of our active Counter-Strike roster.

All of us at FaZe will be forever grateful for the history we made together, and for the incredible memories we'll always have of our Latvian Laser. Thank you, broky. ❤️

[Team Spirit CS2 @Team__Spirit]

ABSOLUTE CINEMA @magixx772

[Shmegmoid Johnson @shmegmoid]

With $1T ($1,000,000,000,000 USD)

Elon Musk could:

- Jack me off fucking crazy style

- Go gorilla mode on my shii

- Fuck me crazy retardo mode

- Go sloppy toppy all over my freak ass tard dick

- Walk in on my dad naked n start fuckin on him

- Piss in his own face (like a retard)

It’s the Trillionaire grindset. Get with it or kill yourself.

[bug girl @buggirl]

in nature if a monkey hoarded 1 trillion bananas the other monkeys would beat that monkey to death and take his bananas

[Mark @AgingRanchHand]

There's a really short guy at my work and the custodian just accidentally swept him into the dust pan. I didn't even try and help. I was immobilized by my own cowardice

[SKONK🐉 @BigSkonk]

Show them bands Combo Breaker ‼️💵

[kunal 🇮🇳 @thfckunal]

You can’t hate this place

[brandon @BrandoCFL]

@PrincessXJ9 what if i sparked you right in the chin mate

[brandon @BrandoCFL]

So far the hardest part about being single again is I no longer have anyone yelling at me to put my laundry away