!!‹𝟑

[Mads✨️ @ev3sln]

She was Lynched. Her name is Juliana Nzita, she went missing and found Lynched at a White church. Sixteen years old, she had a future ahead of her, she was kind and honest, and White people decided that because of her skin color, she didn't deserve life. Stop White supremacists!

[Warzone @itswarzonemusic]

COLLABS WITH @JaseProctorDubs @break64bit @otsukaredubs @hexxdubz @zyndubz @swandodubz @_rquny @SIMPLIFIMUSIC @grynix_music @leotrixofficial @MAYLAYMUSICC & MORE

[dani kiyoko 🙄🔥💋💊🤮💕🎶🤬 @bbytetchi]

Felt like this sound needed to come back in music so why not do it myself

[tippy 💫(STELLAR STARS VOL.5 OUT NOW) @yowhotfistippy]

tippy set debut being held for ages due to niggas like this btw..

[!!‹𝟑 @break64bit]

#LoveWhenTheyTakeOurJobsButRefuseToDoThem #WhoSaidThat 👀

[!!‹𝟑 @break64bit]

lol

[Trino DJ @trinodj]

Holy Priest, a fast rising DJ and producer in the hard techno scene, is facing controversy after being accused of using a pre recorded set during a recent show.

In response, he shared a detailed statement addressing the ongoing debate around “fake DJing”, a conversation that continues to divide the electronic music community.

He explains that modern DJs are no longer just mixing tracks, but acting as full scale performers, producers, storytellers, and artists presenting their own music on stage.

According to him, every show involves weeks of preparation, including custom intros, exclusive edits, and original productions, all of which he says he performs live.

He also denies ever playing a pre recorded set throughout his career, while acknowledging that in certain large scale productions, where visuals, lighting, and pyrotechnics must be perfectly synchronized, some artists may rely on pre recorded elements.

On the topic of “fake knob twisting”, he argues that small adjustments behind the decks are often part of focus and preparation rather than deception.

The debate around live performance vs pre recorded sets is not new, but moments like this keep pushing the conversation back into the spotlight.

[Lizdek @lizdekmusic]

NEW SHIT OUT + @yandrelmusic

#DUALITY 2026 ❤️‍🔥

CANT STOP US

[!!‹𝟑 @break64bit]

@lizdekmusic @yandrelmusic dude this is disgusting wat

[Don @donsvanity]

all ur prods should always get free access into ur shows
dats what i believe

[MUST DIE! @MUSTDIEmusic]

I understand not wanting to get this basic fact, but it is true. I do feel valued by the people I have met and interacted with along the way, and to me, that’s been the greatest joy outside of making things. I always hope that things can change, and I’ll stay stubborn about it.

[☆ CRAY ☆ @craymusic]

This is ur reminder that you don’t need to use ai in anyway to create art. You don’t need to use ai to “adapt”….instead adapt my foot in ur ass. Keep making art with ur blood sweat and tears and don’t be a fucking loser

[!!‹𝟑 @break64bit]

https://t.co/TcqvR34gaE

[!!‹𝟑 @break64bit]

aaaaaaaaaaaaaaand dropped a thingybob on @pl8list ;))

(might post a clip of it on the Big cloud soon) (also link in replies !!<3)

[!!‹𝟑 @break64bit]

@mohnomusic @aphonicsound @ribri_ @KemistrySoFlo thatd b rlly cool !!!! :3

[!!‹𝟑 @break64bit]

remember when i got booked for the first time ? this is kinda sorta how it went ;))

📸: @aphonicsound @ribri_

📍: @KemistrySoFlo

[!!‹𝟑 @break64bit]

I FORGOT TO POST IT HERE OMG

[dani kiyoko 🙄🔥💋💊🤮💕🎶🤬 @bbytetchi]

Performative

[tippy 💫(STELLAR STARS VOL.5 OUT NOW) @yowhotfistippy]

doing this since twitter stinks and i cant put all the words in one tweet but yee!!! dm if interested <3
📺🏁🤍🟣🟠

[👍 @udidagudjob]

free_play_outnow

https://t.co/jLnLy9REgj

[TELEFUZZ @telefuzz_]

TELEFUZZ, VOL. 1
ROSTER REVEAL
OUT ON APRIL 3rd
PRESAVE: https://t.co/amecuxwPMP