A twitter account documenting my attempts to produce a good living history demonstration of medieval and Tudor broadcloth shearing. Main acct @guthrie_stewart
I have two different shapes of havette / harbick, the double ended hookie things for holding cloth in place. You do not need many, I use 3 each side both shapes work well but I can see that the straight ones would be abit better on a flat board and the curved on a non flat.
I think I have read of more modern cloths where there is a light teaselling and shearing to make sure that there is a smooth clear surface by removing loose ends of fibres
I have taken to calling this a stunt cloth, standing in for a real broadcloth. You can see how messy it looks with the napping, my job is to shear it down to a more even surface but leaving enough to cover the weave.
You can see how much of the shears blade is being used by the build up of fluff at the end of the cut. I wonder what they called the cropped fibres then?
Have found that the London petty customs accounts for 1480/81 mention importation of teasels, teasel crosses and shears. I wonder how many teasels that adds up to?
No hang on I think I'm getting inches and cm confused; so it is no different to the ones from Tartu in a paper in "the medieval Broadcloth" . #broadcloth
They were plain tabby weave, apparently 4 warp and 3 weft per 3mm, I think such an odd measurement is due to the fact that in only one small space were the surface fibres removed. Anyway, a much finer weave than I expected.