Bryan Ierardi

[Bryan Ierardi @BryanEye]

No context Things to Come

[Bryan Ierardi @BryanEye]

@romanhistory1 Purefoy FTW

[Bryan Ierardi @BryanEye]

@agraphafx So iconic.

[Bryan Ierardi @BryanEye]

YouTube Music link: https://t.co/UJLsnqcylP

[Bryan Ierardi @BryanEye]

Tinkering with a music video for ‘The Transfiguration on the Mountain.’ Ambient prog rock meets that powerful biblical scene. Still early in the process, but the world is starting to feel alive.

[Bryan Ierardi @BryanEye]

Here's the song's Spotify link: https://t.co/EwX2KE6XR0

[Bryan Ierardi @BryanEye]

No context anamorphic The Office

[Bryan Ierardi @BryanEye]

@KubrickPoint https://t.co/sdKURivFuq

[Bryan Ierardi @BryanEye]

1/ FUN FACT: There is an Apollo insignia "encoded" into a frame from the first Gold Room shot in Stanley Kubrick's The Shining.

[Bryan Ierardi @BryanEye]

@gleb_alexandrov Trying to settle on a final shape for this GunMech Assault Ship.

[Bryan Ierardi @BryanEye]

There���s a wasp building a nest in the workshop. I fear he’s inciting an uprising… I’ve named him “Mud D’aub”.

[Bryan Ierardi @BryanEye]

@QuantumAlteredX

[Bryan Ierardi @BryanEye]

@DavidJo2437 @w_bitterman Exactly

[Bryan Ierardi @BryanEye]

@agraphafx

[Bryan Ierardi @BryanEye]

More cinematic 1978 television sci-fi spacecraft miniature photography. (Kling 2.5)

“A massive spacecraft carrier performs a graceful fly by through deep space with illuminated open hangar bays. Practical model miniatures filmed with motion-control cameras on a black stage. Hard cool-white studio lighting creates bright specular highlights and deep shadowed hull recesses. Analog optical compositing softness, subtle blue-screen matte fringing, photochemical film grain, slight gate weave, halation around bright lights. Camera executes a slow 85mm motion-control push-in with heavy cinematic inertia. Spacecraft movement is deliberate and weighty. Miniature photography scale cues visible throughout. Shot on 35mm Eastman Kodak film. Late-1970s sci-fi television effects aesthetic. Non-CGI appearance. slow physical inertia, heavy drifting motion, miniature photographed at high frame rate, deliberate spacecraft movement, weighty cinematic motion”

[Bryan Ierardi @BryanEye]

@GrowingUpRetro I’m not… I’m heading to Radio Shack!

[Bryan Ierardi @BryanEye]

@B_Garelick Just love that vintage defense industry ad creative.

[Bryan Ierardi @BryanEye]

@thinkingwest “Home security, but for siege warfare.”

[Bryan Ierardi @BryanEye]

Finally looked it up… LTX Fast.

Prompt: Cinematic 1978 television sci-fi spacecraft miniature photography. A massive spacecraft carrier performs a graceful fly by through deep space while small StrikeMech fighters are waiting at the ready in illuminated bays. Practical model miniatures filmed with motion-control cameras on a black stage.

Hard cool-white studio lighting creates bright specular highlights and deep shadowed hull recesses. Analog optical compositing softness, subtle blue-screen matte fringing, photochemical film grain, slight gate weave, halation around bright lights.

Camera executes a slow 85mm motion-control push-in with heavy cinematic inertia. Spacecraft movement is deliberate and weighty. Miniature photography scale cues visible throughout.

Shot on 35mm Eastman Kodak film. Late-1970s sci-fi television effects aesthetic. Non-CGI appearance. slow physical inertia, heavy drifting motion,
miniature photographed at high frame rate, deliberate spacecraft movement,
weighty cinematic motion”

[Bryan Ierardi @BryanEye]

I have no idea how I prompted these. They creep me out TBH

[Bryan Ierardi @BryanEye]

My wife hates this type of comedy, but I’ve watched it 42 times.