Has it not been proven that #trauma only feels transcendental due to the ratio of the diameter which severs us to the circumference which makes us a whole?
— poet @diasporter, "Three Wrong Notes"
https://t.co/NenKNBidHy
and at once I felt
there are so many years to fail
that to #fail them all, one by one,
would give me a double life,
and I took it.
— last stanza from #MaryRuefle’s “Crackerbell” in @WavePoetry collection, Dunce
I learned to live without hope
as well as I could, almost happily,
in the despoiled and radiant now.
— #poet#StephenDunn for his eulogist,
in advance, in @GeorgiaReview
https://t.co/0nrOUlZ0FM
“I noticed that she used this phrase again and again: 'in sauna,' rather than 'in the #sauna.' She’s not talking about a building, … she’s talking about a state of being.” — @_katherine_may_ (on @HanneLaw) in her #memoir, “Wintering”
"We #spied on the #sexual lives of others — perceived them not so much as real, but #surreal. Pure Kafka, perhaps. Or Buñuel." — Andrei Konchalovsky #translation in @mumbermag https://t.co/4wBlB97vk3
"While very short and concise, ['The Girl in the Haystack'] is an excellent #Holocaust story of how one family survived with the help of good, courageous people." — Kathy Bloomfield, @JewishLibraries News & Reviews
https://t.co/iWNroWy1qA
In #AnastasiiaGerasimova’s urban fantasy of 2050 #Moscow the #banya and the #metro are one — a locus of transit and transition, where clothes are forbidden.
https://t.co/ftXspUticU
... we are saying #thankyou faster and faster
with nobody listening we are saying thank you
thank you we are saying and waving
dark though it is
https://t.co/ikDpiqaeKN
"I looked into his cruiser and ... the screen said: 'If black lives really mattered, they’d stop shooting each other.' I kept walking but then I turned back... I put my camera to my eye, I looked at him dead in his face and I got the photograph." — @mikeamccoyphoto in @1843mag
“As I moved from book to #book I was struck the realization that people talk about war, … but very rarely talk about #happiness. There was a sense that people don’t talk about the essence of being human.” — #SvetlanaAlexievich (at 4:20) on #love
"Frankly, I wasn’t sure I was the best #writer for the #story, which was one of the things that moved me to write it." — interview with @BarbaraBietz on origins, #craft (and heart) of #TheGirlintheHaystack
https://t.co/esM2s6p9f5
"[Her] love for Brisko, ... the #dog she had never met, had never pet and only looked at from a distance, became just as imperative to her #survival as keeping still and quiet in the haystack.” — Randee Wismer in @writenowphilly
https://t.co/YbZGv0bNsM