Followed the production flow to the post, but every single storyboard kept getting flagged as "Not Eligible" by Seedance 😅(Higgsfield)
Ended up ditching the auto-gen and writing all the prompts manually instead.
Sometimes the workaround IS the workflow. 🛠️
👇 Prompts in the replies
PART2
Prompt:
A 15-second cinematic sci-fi high-speed action short film, 16:9 horizontal format, ultra-realistic 3D CG.
At night on the streets of Gangnam, Seoul, South Korea, a rain-soaked intersection reflects neon lights, Korean signboards, taxi headlights, and the glass facades of high-rise buildings on the wet asphalt. In the center of the street stands a small orange-and-white spaceship, its hull showing light battle wear, with blue-white indicator lights flashing rapidly and its boarding ramp open. Curious bystanders gather around in surprise, filming with their phones, creating the atmosphere of a sudden sci-fi incident in the middle of the city.
The protagonist is Laura, a young adult woman. She must match the reference character design: black hair in a high updo, a red ribbon, a cool and determined face, a white wrapped top, an oversized beige long coat, a tactical belt with cylindrical gear around her waist, thick white platform boots, and a Korean Taegeukgi patch on her sleeve. She holds a pale blue-white energy sword. Her face, hairstyle, clothing, proportions, and overall aura must remain consistent with the reference.
Overall action style: fast, exaggerated, and highly impactful. This is not a slow dance or an ordinary pose sequence, but an explosive performance that combines lightsaber combat, street dance, parkour, martial arts, and fire-dance flow. The action must have a strong sense of speed, exaggerated body movement, rapid turns, low sliding footwork, large jumps, aerial spins, abrupt stops, dashes, hard landings, and sword-light afterimages. The energy sword creates huge arc-shaped light trails and long-exposure streaks, like blue-white lightning cutting through the night.
0–1.5 seconds:
A super wide, low-angle shot of the rainy Gangnam intersection at night. The small orange-and-white spaceship is parked in the middle of the crosswalk. Laura stands in front of the ship, her energy sword hanging low. In the next instant, she suddenly lifts her head, her eyes sharpening, and the hilt glows with blue-white light.
1.5–3 seconds:
Laura suddenly bursts into a sprint. The camera pushes forward rapidly, with slight handheld shake and motion blur. One of her feet lands in a puddle, splashing water outward on both sides, while her thick platform boot slides in an arc across the wet surface. Her coat flares dramatically like a cape, and the Taegeukgi patch flashes into view for an instant.
3–5 seconds:
A sequence of rapid, high-speed close-up cuts: her wrist sharply twists the hilt and the energy sword ignites instantly; the glowing blade sweeps close past the lens; Laura ducks low and slips sideways at high speed; strands of hair and the red ribbon whip in the wind; her eyes are lit by the blue-white sword glow. Every shot should feel short, forceful, and trailer-like.
5–7 seconds:
A medium-wide orbiting shot. Laura begins a high-speed single-sword combo: large figure-eight slashes, reverse spins, dropping her body low and then surging back upward. The swordlight forms two huge blue-white glowing rings around her. She is not standing still and casually swinging the blade; instead, she slides along the crosswalk, spins, stops abruptly, and sprints again. The onlookers take a step back, startled by the intense light and the pressure of her movement.
7–9 seconds:
A low-angle tracking shot. Laura performs an exaggerated lateral sliding move across the front of the spaceship, and the energy sword skims just above the water on the street surface. The blue-white glow slices a long reflection line across the puddles. The blade nearly brushes the camera, creating a strong flare and a brief white flash.
9–11 seconds:
The action reaches its most explosive point. Using the metal edge near the ship’s boarding ramp, Laura pushes off and leaps into the air, spinning half a turn. Her coat fully spreads out, creating a dramatic silhouette. In midair, she swings a massive arc of swordlight, and the blue-white trail stretches across the frame like a crescent moon, briefly lighting up the neon signs behind her.
11–13 seconds:
A landing impact shot. Laura lands heavily on the wet asphalt, sliding in a low one-knee posture while the sword tip drags across the ground, throwing up water and blue-white energy sparks. The camera quickly pulls back, showing her springing up instantly from the low position and following with a fast spinning slash. The light trail coils around her body in a spiral.
13–15 seconds:
Final move. Laura charges straight toward the front of the spaceship, raises the energy sword high with both hands, then slams it down into the center of the crosswalk. The thin layer of water on the ground erupts into circular blue-white energy rings, and the wave rapidly spreads along the wet street, passing taxis, the feet of the crowd, and the ship’s landing gear. The ship’s lights flare up in sync, as if responding to her action. In the final shot, the camera rapidly pulls back: Laura kneels on one knee gripping the sword, her coat still whipping in the wind, while the Gangnam nightscape, the orange-white spaceship, and the expanding energy rings form a powerful final tableau.
Camera language:
Fast push-ins, low-angle tracking shots, rapid pans, 360-degree orbit shots, the swordlight scraping past the lens, impact zooms, slight handheld shake, action flash cuts, motion blur, slow-motion water splashes, landing-impact vibration, and a cinematic trailer-like rhythm.
Visual effects:
A pale blue-white energy sword, bright long-exposure sword trails, exaggerated arc-shaped light bands, reflections on water, neon reflections, splashing puddles, subtle energy sparks, air distortion, strong backlit silhouettes, realistic cloth simulation, realistic skin texture, and cinematic lighting.
Action priorities:
The action must be big, fast, fierce, and clear. Laura must have distinct sprinting, sliding, spinning, jumping, aerial sword swings, low landing poses, sword-tip dragging on the ground, and a final sword-plant explosion. Do not let her merely stand and wave the sword. Do not overuse slow motion. Do not make the movements too small. Do not make it feel like an ordinary dance.
Negative requirements:
No forest. No lake. No white forest spaceship. No blonde character. No anime style. No low resolution. No text subtitles. No logos. No watermarks. No multiple main characters. Do not duplicate Laura. No enemy combat. No gore. No gunfight. No collapsing buildings. No city-destroying explosions. Do not alter Laura’s face, hairstyle, or clothing.
PART1:
Prompt:
A 14-second cinematic sci-fi action short film, 16:9 horizontal format, ultra-realistic 3D CG. Maintain the same overall style as the previous video: Seoul Gangnam at night, rain-soaked streets, neon reflections, strong sense of speed, cinematic camera movement, blue-white energy effects, and a small orange-and-white spaceship.
Scene setup:
At night on Gangnam Boulevard in Seoul, South Korea, the center of the main road is wet from rain, clearly reflecting Korean signboards, taxi lights, neon screens, and the glass facades of tall buildings. A small number of bystanders stop to watch and film with their phones, as if witnessing a sudden sci-fi arrival event. Above the center of the street, a small orange-and-white spaceship descends rapidly from the night sky. Its hull shows light battle wear, blue-white indicator lights flash, and powerful thrusters emit bright light and air turbulence from below.
Main character:
Laura, a young adult woman, must strictly match the reference character design: black hair in a high updo, a red ribbon, a cool and determined face, a white wrapped top, an oversized beige long coat, a tactical belt with cylindrical gear around her waist, thick white platform boots, and a Korean Taegeukgi patch on her sleeve. She holds a pale blue-white energy sword. Do not change her face, hairstyle, clothing, proportions, or aura.
Action tone:
When Laura emerges from the spaceship, she must have overwhelming presence: powerful, composed, and highly commanding, like an elite warrior who has just arrived on Earth. As she disembarks, her movements should be clean, efficient, confident, and full of authority. She walks down with steady, powerful steps while scanning the surroundings, as if evaluating this unfamiliar city. The pacing should feel like a cinematic trailer: fast, sharp, and visually clear.
Time structure:
0–3 seconds:
A super wide low-angle shot showing the full night view of Gangnam Boulevard. In the middle of the rain-soaked road, a small orange-and-white spaceship descends rapidly from the sky. Its lower thrusters emit bright blue-white exhaust, and the air pressure blows puddles and small debris across the ground. Neon lights stretch into long reflections across the wet street. Bystanders look up in shock and quickly pull out their phones to record. The ship lowers into position, preparing to land.
3–6 seconds:
A medium-wide shot. The spaceship lands heavily in the middle of Gangnam Boulevard, creating mist, air pressure, splashing water, and a slight impact vibration. The ground-level puddles burst outward. The ship’s door opens and the boarding ramp slowly lowers. Blue-white interior light spills from the cabin, illuminating the rain mist and the street below. The camera pushes in quickly, creating strong tension and anticipation.
6–10 seconds:
A combination of boarding-ramp close-ups and medium shots. Laura appears from inside the ship, backlit by the bright interior light. She walks down the ramp step by step with absolute confidence and commanding presence. Her steps are firm and powerful, while the hem of her coat moves in the wind and the lingering force of the thrusters. As she descends, she slowly scans the surroundings with a sharp, calm gaze, looking left and right as if assessing the situation. The camera alternates between her face, her confident eyes, the Taegeukgi patch on her sleeve, the detail of her thick boots stepping on the ramp, and the intimidated reactions of the surrounding onlookers. She holds the sword hilt in her right hand; the energy blade is not yet fully raised, but a blue-white glow is already faintly visible.
10–12 seconds:
A low-angle tracking shot. Laura steps off the last section of the ramp and firmly plants her foot on the wet crosswalk. She raises the pale blue-white energy sword in her hand, and the blade ignites, casting a strong blue-white light onto her face and the wet ground around her. She turns slightly, her coat spreading like a cape. Her posture is powerful, composed, and commanding. The camera moves in a half-circle around her, showing the relationship between Laura, the spaceship, and the Gangnam nightscape.
12–14 seconds:
The final shot must echo the previously established opening image. A super wide low-angle shot of a rainy night intersection in Gangnam. The small orange-and-white spaceship is parked in the middle of the crosswalk. Laura stands in front of the ship, slightly turned toward the camera, holding the ignited pale blue-white energy sword, with the blade pointed downward or slightly angled upward. Her posture is calm, authoritative, and iconic. Her placement is clear and centered in the frame, like the formal arrival of a true protagonist. The ship remains parked behind her as the background, the road glows with neon reflections, and bystanders watch from a distance. The final shot holds on a powerful, cold, heroic tableau.
Camera language:
Super wide low-angle shots, rapid push-ins, cinematic handheld micro-shake, low-angle hero shots, medium shots cutting into close-ups, ramp tracking shots, orbiting camera movement, slight motion blur, landing impact sensation, and a grand final freeze-frame. The camera should have a strong movie-trailer quality.
Visual effects:
Ultra-realistic cinematic lighting, rain-soaked road reflections, neon lights, Korean signage, blue-white thruster light from the spaceship, backlight from the cabin door, splashing water, subtle air distortion, realistic cloth simulation, realistic skin texture, a bright blue-white energy sword, and an overall cool-toned color palette contrasted by the orange-white ship.
Style requirements:
Maintain the previous overall tone of high speed, sci-fi, action, and strong presence. However, this video should focus less on continuous combat and more on a dramatic arrival, a powerful disembarkation, and a heroic final pose. Laura must feel extremely powerful, confident, and intimidating.
Negative requirements:
No forest, no lake, no white forest spaceship, no blonde character, no anime style, no low resolution, no text subtitles, no logo, no watermark, no multiple main characters, do not duplicate Laura, no enemy combat, no gore, no gunfights, no collapsing buildings, no city destruction, and do not alter Laura’s face, hairstyle, or clothing.
What if reincarnation wasn't a fresh start… but one life stitched together? A dog. A monkey. An ox. A human. Everyone envied her 80 years. Until the King of Hell explained what those years really meant. Made with AI (Kling + GPT-Image). Watch till the end 👇 #AIfilm #Reincarnation #AIart
🚀 A space mercenary and her dog were chased by robots into a cave They came out the other side and it was… Joseon Dynasty Korea 🐶⚔️
Chat GPT Image2 + Seedance2
This is actually being made into a video You hyped? 🔥 #SciFiFantasy#TimeSlip#JoseonDynasty
Humanity vs. the android legion. The war was already lost.
So we summoned a Shiba Inu.
...don't ask. Just watch. 90 seconds 🐕🔥
Every frame made with AI.
2099: THE END OF THE AI ERA
#AIfilm#Seedance#ShibaInu
KLING 3.0:
0:00–0:01Use the uploaded image as the first frame. A girl sits in the center of the audience seating, looking up toward the field with a slightly surprised expression. The shot is a medium close-up, with background spectators and seats clearly visible.
0:01–0:03The girl suddenly notices the camera is pointed at her. Her eyes widen naturally, a smile slowly spreads across her face, and she sits up a little straighter with a subtle excited energy. The camera gently pushes in, keeping focus on her natural, unscripted reaction.
0:03–0:05Caught up in the excitement, she rises from her seat, clapping her hands together as she stands. Her ponytail swings, her jacket shifts with the movement, and she bounces lightly on her feet — the kind of spontaneous joy you can't fake. The camera pulls back just enough to capture her full figure as she stands.
0:05–0:07Now fully standing, she turns toward the camera and gives a warm, enthusiastic wave with both hands, laughing and clearly loving the moment. A few nearby spectators glance over with smiles. The shot stays steady and wide enough to feel like a genuine live broadcast catch of an excited fan.
Seeing this viral baseball beauty got me thinking as a football fan — the 2026 World Cup is just around the corner 🏆⚽
Used GPT Image 2.0 + Kling 3.0 to create a virtual but hyper-realistic goddess 🔥
Prompt in the comments 👇
Chat GPT Image:
A realistic live sports broadcast screenshot captured during the 2026 FIFA World Cup.
The scene shows a happy adult Korean female fan in the stadium crowd, framed like a real live TV audience close-up. She has long black hair worn loose, fair skin, delicate facial features, and a bright cheerful smile. She is looking directly at the camera and waving happily with one hand after standing still. Her expression is joyful, friendly, and excited, as if she has just noticed herself on the big screen.
She is wearing a fitted red Korean football supporter outfit: a red off-shoulder cropped top with thin straps and detached long sleeves, with the official-style “Red Devils” / “붉은 악마” supporter logo on the chest. She also has a small Korean flag face sticker on her cheek. Her outfit should clearly identify her as a Korea national team supporter.
The background is filled with stadium spectators wearing red Korea supporter shirts and scarves. Some audience members are looking toward her and smiling, while others continue watching the football match. The crowd should feel natural and unscripted, like a real live broadcast moment captured in the stands.
I showed her Seoul all day... then she left me for HIM? — Is This for Real?
I made this video, and instead of the usual ChatGPT Image 2.0 + Seedance 2.0 combo, I tried ChatGPT Image 2.0 + Kling 3.0 (4K, Omni). Honestly, it’s not a bad alternative. Especially for everyday scenes rather than intense action shots, Kling still seems to deliver more natural and expressive results. @Kling_ai