432 Hz Piano & Winds I
A warm piano turns slowly beneath spacious woodwinds (bass clarinet, clarinet, and flute), opening a quiet room for reflection and deep calm. No synths, just acoustic instruments left to resonate.
Name your price on @Bandcamp link below. #ambient#432Hz
@Abram_Kleijweg That answers it, and the low mode video answered a question I hadn't asked yet. The tame/wild switch is the part I want to hear you abuse.
@secret_ambient Moss Covered Technology is a good call. If people liked this one, Chihei Hatakeyama's Minima Moralia sits in a similar room, all guitar and tape with the edges sanded off.
@tyanyyu I have been working at 432 lately and what struck me is how much longer notes seem to sit before they decay. Does the handpan actually behave differently down there, or is it more that you listen differently once it is tuned that way?
@yamanekousagi1 You just named why flute is the hardest thing I play, and from the other side. With a reed there is always something between you and the air, so breath reads as noise. Take the reed away and it reads as content. Where does part three go?
@sterile0347 The titles all land within a few minutes of six in the morning and the frozen ship carries across the whole series. Is that timestamp a place in the story, or the hour you want people listening?
@gototo0510 Expanding from a simple sound is how I write for winds too, one note held until it tells you where to go next. What made you reach for MUPOP on this one?
432 Hz Piano & Winds I
A warm piano turns slowly beneath spacious woodwinds (bass clarinet, clarinet, and flute), opening a quiet room for reflection and deep calm. No synths, just acoustic instruments left to resonate.
Name your price on @Bandcamp link below. #ambient#432Hz
Out now: 432 Hz Piano & Winds I by Matt Parker.
The first single in a new ambient series. Piano and winds, tuned to 432 Hz, built for stillness.
This is what BYNK sounds like when the lights go low.
🎧 https://t.co/1oZNvOXca3
OUT NOW: Little White Lies – Alan Hampton
A stripped-down, live studio take on the 1930 jazz classic. Voice. Guitar. Upright bass. Nothing else.
Listen & share → https://t.co/fv6sEKTYtt
#AlanHampton#LittleWhiteLies#Jazz#NewMusic#BYNKRecords
This Is BYNK Records
A handpicked playlist from across the BYNK catalog — deep cuts, bold statements, and timeless grooves.
Jazz, storytelling, experimentation, and everything in between.
Because You Never Know.
Listen now: https://t.co/xyxGdISdSr
#BYNKRecords#jazz