@MartinSLewis Removing them is really hard, and takes a while to master. Keep your thumb and finger further apart than you think. You need to really pinch the very edges of the lens to swipe it off the eye ball. Plus try at a time when you’re more relaxed and not rushing.
@charliersmith1 I’ve been following your story and rooting for you. Here’s Bertie the cat hiding in the trees. I really hope you’re out and about again soon too. Will be thinking of you. Stay safe ❤️
In years to come we'll look at this era and wonder why in light of a global pandemic, economic inflation, growing inequality and technological upheaval we decided to make the private lives of a minority considerably worse.
Not often I get to wear a hard hat in my line of work, so very excited to meet with the team at @NRCrehabUK and chat about applied arts and health care. Thanks so much for showing us around and for the sneaky peak at the building progress.
This series is indeed exceptional, and without doubt a must-watch, but I’d argue that, given the one take, real time performance, this is actually pure theatre, rather than cinema.
1 set.
2 main actors.
No cgi, no music score , no fancy camera cuts.
Just brillliant screenwriting and astonishing acting skills.
This is pure cinema.
#adolescence#adolescenceep3
Popped into @MK_Gallery for the final day (and, at 4pm, also the final hour!) of this beautiful Vanessa Bell collection. Very glad we caught it just in time.
What a lovely early Christmas present: a very special issue of @Litera1954 on Adaptation, Appropriation, and Translation (with a little forward penned by yours truly). Happy publishing Christmas wishes to you all! 🎄📖
Litera's latest issue (34/2 - December 2024) is out now! 📗
Our Current Issue is a Themed Issue published in collaboration with @t_dnetwork &
Guest-Edited by
Prof. Catherine Rees @c_m_rees
Check our journal's @istunipress page to read our current issue:
https://t.co/hxhQf2b2kw