Clau

In the past, I made a few IWBTG fangames.
Now I try to make my own games

[AKATORI 🐦 @AKATORIGAME]

parkour + staff combat + metroidvania = Akatori

[Culture Crave 🍿 @CultureCrave]

Brazil has proposed a bill with new protections for gamers 🇧🇷

• After support ends, publishers would need to either enable offline play, provide the community with tools to keep the game running, or offer proportional refunds

• Publishers would have to disclose online-server requirements and guarantee at least 2 years of support after launch in Brazil

• Players would need to be notified at least 180 days before a game's online services are shut down

• Lawmakers have also requested an investigation into Sony’s plan to end physical PlayStation disc production in 2028

(via @pushsquare)

[D. Piskorowski (making Disaster Arms) @PD_CGT]

The next arcade-action game in the Impact Project series - LURRUNA, - drops on July 31st

It's a Classicvania, y'know?

[Thumbtack📌 @BenboQuest]

this is really what working in gamemaker is supposed to be like

[Sonikku / spritersonikku.bsky.social @SpriterSonikku]

i think this looks reasonably convincing

[Katsuhiro Harada @Harada_TEKKEN]

From my perspective, Miyazaki is a rather unique, yet extremely serious game developer.

His career did not begin in the game industry. In fact, he didn’t become a game developer until he was almost thirty years old.

Even among developers of my generation (those of us born in the 1970s), I think it’s remarkable that someone who wasn’t even a game developer during the dawn of the polygon era eventually became one of Japan’s most representative game creators. (In other words, compared to the rest of us from the same generation—including myself—his career path is exceptionally unusual. Most notably, unlike many of us, he was not working at one of the major development studios that held a significant technological advantage during the early polygon era. That, more than anything else, is what makes his path so unique.)

Next, regarding my impression of Dark Souls.

People often focus on its difficulty as a game, but I believe Miyazaki’s true creativity shines through in the world he created. (By the way, I personally think Dark Souls has fairly simple action mechanics, and I don’t actually consider it to be an especially difficult game.)

If you look into my own career, you’ll see that I was personally involved with the Dark Souls series and Elden Ring as the General Manager overseeing both production and marketing (Just to clarify, I wasn't part of the development team itself. My involvement was simply as the General Manager of the publisher-side department overseeing production and marketing). From that perspective, I can say that Dark Souls didn’t suddenly become a massive success overnight. It was the result of everything Miyazaki and his team had built up through their previous titles.

Today, he receives offers from all over the world, but when I think back to the days when he and his team were struggling the most, many of those offers seem like they’re coming from people who only know who they are today. Some of them almost feel like complete reversals in attitude. Well, that’s just my personal perspective.

Personally, I had grown tired of people who would simply compare games by saying things like, “That title cost X billion yen to make and sold Y million copies,” and then use nothing but those numbers to judge them against other games. There were so many people who couldn’t appreciate the journey or the growth of the developers themselves. Anyone can look at the current numbers—they’re available to everyone. Whenever I heard those kinds of opinions, I always thought, “That’s exactly what you’d expect from someone who’s never actually developed games.”
What surprised me even more was that, even if people couldn’t properly evaluate that journey, almost nobody even seemed interested in trying to understand the process of how those developers gradually reached where they are today.
(I'm NOT talking about the fan community).

Now, going back to Miyazaki, there are two things about him that have always stayed with me.

The first was back when I was developing Summer Lesson for VR, around the time it was generating a lot of buzz.

One day, he came to try an early build of Summer Lesson along with people from several other game companies.

While everyone else was laughing, chatting, and having fun with it, Miyazaki alone played it with incredible seriousness. Then, after everyone had finished and started discussing their impressions, he remained completely silent, staring intently at the preview monitor, deep in thought.

Everyone became curious and finally asked him, “Miyazaki, what are you thinking about?”

He suddenly smiled and said,

“Oh… I got completely absorbed in thinking about what I would do if I were making this, and what kind of game I’d create.”

What he talked about after that was, in the best possible sense, completely insane.

It was one of those rare moments when I caught a glimpse of what I’d call his “mad scientist” side—his deeply serious, obsessive approach to creativity.

The other thing that left a strong impression on me was that he generally dislikes video interviews (including live streaming).

I once asked him about it by email, and he replied with quite a long explanation. After reading it, I completely understood where he was coming from.

Simply put, he doesn’t like watching himself moving around on video. (Psychologically speaking, it’s actually a bit more complicated than that.)

But there was another reason.

According to him, there are naturally many people in this industry who know games far better than he does. Whenever he listens to those people speak, he realizes that his own understanding is still shallow, and it makes him feel that he’s not yet in a position to be the one talking about games.

I mean… it’s common for well-known developers to say, “I still have a long way to go.”

But whenever someone like him says that, my reaction is always,

“Come on… if you say you’re still not there yet, then the rest of us won’t feel qualified to talk about games at all.” (laugh)

Anyway, that’s one of the reasons why video interviews with Miyazaki are extremely rare. And conversations with him on camera—especially long-form discussions with another developer—are even rarer. They almost don’t exist at all.

By the way, the other game developer in that photo is Masahiro Sakurai.

If you ask me, he’s basically:

“A Saiyan who genuinely believes he’s just another ordinary human.”

Every now and then, when the rest of us are struggling with some problem, he’ll say something that sounds exactly like Goku saying,

“Well… why don’t you just fly?”

And I’ll reply,

“Because we humans can’t use Flight Technique.”

Then he just stares at me with a completely puzzled look.

To put it in terms of Demon Slayer, I’d describe him as:

"Like Muzan Kibutsuji casually showing up at a drinking party where all the Hashira have gathered, genuinely believing he's just another ordinary guest".

That’s the kind of person he is.

[Jaklub @jaklub_]

2.5d combat test #gamedev

[Shrine's Legacy - Out Now! @ShrinesLegacy]

Model D575 has custom flute presets and Harmony-Plus in addition. Enjoy the state of the art. 🤖🎹 #screenshotsaturday #JRPG

Get Shrine's Legacy for 25% OFF on all major PC platforms! Links below! 👇

[😈 Rebecca Black 😈 @RealSassyAshley]

I'm giving away a free copy of #SplatoonRiders & a $35 #Nintendo Gift Card to a random person! 🎁

To enter:
Like & RT this tweet!
Follow me & @TerryTheBuneary!
Optional: Tag a friend or friends!

This ends Aug 1st! Good luck as always my lovely sweethearts! 💖

[John Romero 🤘🏽 @romero]

Hi Sandy, I hope you’re well. I have appreciated the recent discussions. I do not agree with your framing.

Regarding piracy, DOOM is a complicated example because shareware was the model. DOOM’s first episode was designed to be freely copied, passed around, uploaded, installed, and played. That enormous unpaid audience was not the same thing as piracy. It was part of how DOOM reached the world.

By the mid-90s, DOOM had something like 20 million shareware installs and more than 2 million paid copies sold. Those 20 million people were not “pirates” by default. A huge number of them were playing the free episode exactly as intended.

That doesn’t excuse people pirating the registered game. However, it’s important not to collapse legal shareware distribution, unpaid reach, and actual piracy into one number.

I also don’t think piracy is what “gutted” id - id is still around and still making games. Piracy may have cost money, but it wasn’t the reason Quake was hard or why people eventually went different ways.

So yes: pay developers. Buy the games you love. Support the people who make them.

But history is messier than “pirates killed the companies.” Sometimes the same free distribution that looked like lost sales was also the thing that made the game impossible to ignore.

[ondy @ondydev]

i am creating a near-incomprehensible experience #gamedev #SpaceCatDX

[Tofupixel (find me on BlueSky - Not active here) @TofuPixel]

Looking for part-time pixel art work to start in the next month or two! Would love to hear about your projects :-3

🎨portfolio: tofupixel . carrd . co

💌 [email protected]

[MNKY @MNKYTECH]

I'm giving away 5 keys for BlastFX 2.0!

Retweet this post to enter and this time on Friday I'll pick the winners

https://t.co/FaMBQhl9ou
https://t.co/xM2z72Rz4D

[Jason Smith @JasozzGames]

boy it barely took 30 minutes of finally playing Mina the Hollower and the gameboy fever hit hard

cultic is a gameboy game now sorry

#gamedev

[Soldier Rebel @TheSoldierRebel]

Some of obscure, funny little Attention-to-Details from MS3 you might have missed:

[Marcus (Comms open, open for work) @Dewndeym]

I dont think I posted my kirby redrawn stuff here

[Sonikku / spritersonikku.bsky.social @SpriterSonikku]

reusing some code from 12 years ago that i made which semi-replicates cave story's physics

what was i smoking back then

[Mike Garn @mikegarndesign]

🔻You're a war machine, scrapped beneath a restricted dumpsite... but for a lost toy bear with questionable accountability, you're exactly what's needed to get back home.
With "Very Positive" reviews, play the ARKSYNC Demo and Wishlist on Steam!

#SteamBulletFest #BulletFest #IndieGame

[jagi @DandyJagi]

Blastermancer update is out now, featuring very cool new enemies, stage designs and gameplay varience. check it out on steam!

[Case Portman - Wishlist Samurai Blitz! @Case_Portman]

For those wondering, I designed about 80% of Flynn on paper back in 2021. This is just one room of like 100+