we were on the news!! wild thanks to @SandyKenyon7 for such a beautiful piece, to @LizCho7 & @DavidNovarro7 for the generous shout out, to @ABC7 for airing this, and to the fabulous #ErikPaulsen for making it all happen. https://t.co/81QX8KUQj5 via @ABC7NY
#SAG Actors, I want to make you aware of some of the language in the #AI portion of the tentative SAG agreement.
Though SAG leadership made much effort to protect members in AI, there are many issues you should look at. I have saved the most serious issue for the end. 1/
Dear @POTUS, @TheJusticeDept, and @FCC. By eliminating the Paramount Decrees, you have made way for the strikes and shutdown of our industry. That was an antiquated antitrust law that held back studios and streamers from forming monopolies. They are now crushing labor because there is no competition—there is no recourse to their demands. Please reinstate or better your antitrust laws for the entertainment industry.
https://t.co/8LLKhbkaWO
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@catherineveaton Thanks, Catherine!
I owe so much to taking "Art of the Pitch" with you - it was the verbal pitch at the NFAA conference that got me the proposal request!
They’re dead. That’s where they went. All these people who had to work through the worst of it. They died. One million people died and we’re confused about a labor shortage.
I am thrilled to announce that I have just signed with Wendy Keller of @KellerMediaInc - she will be the agent for my current non-fiction project!
Big thanks to @catherineveaton, @ESMcKetta and Beth Kempton (@DoWhatYouLoveXx) and my writing tribe @HarvardExt for all their help!
@catherineveaton Thanks to what I learned in your class, I was told in the live session yesterday at the Nonfiction Writer's Conference that BLUE HELMET was the best pitch they heard from a technical perspective - and then I got this today!
@cwrose813 I was very fortunate to take a class on the "Art of the Pitch" with @catherineveaton through Harvard's extension program. It is a real game-changer & helped me create the "look book" from which this mood-board was excerpted, and the logline which is the basis for the pitch text!
From 1990-2020, the @NewYorker print mag published 0 cinema reviews by writers or critics of color. In the last 30 years, only 2.5% of the magazine’s cinema reviews have been written by women—including 10 reviews by Pauline Kael in ‘90 & ‘91.
I’ve been following the pay discourse on this site for a while & think it’s important for the movement toward salary transparency (particularly vis a vis gender & race) to continue to grow, so here’s my account.. #internationalwomensday 1/