On Struggle Songs, Memory, and the Danger of Forgetting
The recent clip of Delroy Shewe and Saintfloew performing "Maruza Imi" on a UK train has sparked debate. It's a powerful reminder of how uncomfortable we've become with the songs that carried our liberation. We shouldn't shy away from them.
"Maruza Imi" was not just a song. During Zimbabwe's liberation struggle, it was a rallying cry, a morale booster, and a declaration of defiance against colonial oppression. It is embedded in the DNA of our freedom.
We now see a troubling trend: people are willing to forget or sanitize these songs to avoid offending others. But struggle songs are not literal calls to violence. They are historical artefacts, cultural expressions of resistance, and they must be understood in context.
This is precisely the argument that won in South African courts. In the AfriForum v Malema case, the Supreme Court of Appeal ruled that Julius Malema's singing of "Dubul' ibhunu" (Shoot the Boer) did not constitute hate speech. The court found it was an exercise of freedom of expression, a struggle song, not a literal instruction to harm farmers. The Constitutional Court ultimately dismissed AfriForum's appeal, placing the matter to rest.
The legal reasoning was clear , a reasonably informed person would understand the historical and figurative meaning of the song. It is about resistance to a brutal regime, not a call for ethnic extermination.
This principle extends beyond South Africa. The Holocaust offers a profound example. Yiddish partisan songs like "Zog nit keyn mol" were anthems of survival and resistance, sung by those facing annihilation. These were not songs of hate; they were songs of hope and defiance against a genocidal regime.
Similarly, protest songs around the world have faced censorship for challenging power. In the UK, the BBC banned songs like The Pogues' "Streets of Sorrow / Birmingham Six" for their political content. In Zimbabwe, songs like "Maruza Imi" were banned by the Rhodesian regime for their revolutionary power.
We must not allow discomfort or a modern desire for "respectability politics" to erase our history. These songs are our heritage. They belong to our struggle. Singing them is not an insult, it is an act of remembrance. Forgetting them is the real betrayal. @BaShonaBaShona@enkudheni@Jamwanda2@KMutisi@eargroundtv@DandaroOnline@caesarzvayi@rangamataire
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