Human to human etkilesimden human to LLM etkilesimine iletisimin evrilmesi durtu kontrolunun de zayiflamasina evriliyor bir yandan ha. Insani olgun kilan kimi ozellikler yitiriliyor
LLM ona kesin kazanan söyleyemem dediğinde sinirlenmesi, aslında belirsizlikle kalamama hali. Olgun zihin, her sorunun net cevabı olmadığını kabul edebilir..
Demografilerin bu kadar heterojenlestigi bir dunyada ozguveni yuksek olan topluluklar bulunduklari toplumlarin ust statulerinde yerlerini saglamlastiracaklar. Amini'nin bireysel performansinin kitlesellik kesbettigini dusununun bir de..
Frame konusunda Max Amini'nin stand-up show'lari cok sey soyluyor. Müslüman bir kültürel arka plana sahip olmasina ragmen her milletten insan salonuna geliyor. Onlari oraya getirten tek sey sakalarinin basarili olmasi degil sadece, ozur dilemeden kendi olusu.
@AnthropicAI A few days ago I had Claude Fable 5 pick out a donut for me. Today it became clear: the US government knows this kind of power cannot fall into the hands of foreign nationals. God help us all.
The US government, citing national security authorities, has issued an export control directive to suspend all access to Fable 5 and Mythos 5 by any foreign national, whether inside or outside the United States, including foreign national Anthropic employees.
The net effect of this order is that we must abruptly disable Fable 5 and Mythos 5 for all our customers to ensure compliance.
Access to all other Claude models is not affected.
We apologize for this disruption to our customers. We believe this is a misunderstanding and are working to restore access as soon as possible.
Read our full statement: https://t.co/bwn0sximKZ
Then I thought, sometimes labeling something imprisons you. The moment you say, "I'm an Impressionist," you unconsciously begin to conform to that mold. Intuition gets replaced by reference. The "Monet would have done it this way" filter kicks in..
As I crossed the bridge, I saw a girl sitting on the ground, quickly drawing while gazing at the river view. Noticing her play with light and shadow, I asked about her knowledge of Impressionism. She hadn't even heard of the movement.
She was looking at the landscape with eyes that tried to capture the momentary state of the light, without knowing the academic rules. As I continued walking, I wondered if that freedom would disappear or deepen if she learned about the movement.