En la mañanera están insistiendo, a propósito del caso Rocha, en como una orden de aprehensión debe estar MUY bien sustentada.
Soy fan... Nomás que ojalá lo aplicarán para TODO MUNDO xq hoy en día el gobierno de México tiene más de 100 mil personas sin sentencia en prisión.
Eso es mentira @Claudiashein .
En México no eres inocente hasta que se demuestre lo contrario.
Más de ciento diez mil personas encarceladas en México no tienen sentencia .
Más de CIENTO DIEZ MIL. Ese es el tamaño de la mentira .
El 40% de la población penitenciaria .
Ah mira que garantista suena la presidenta.
Ojalá usarán esas mismas garantías para las más de 100 mil personas que tienen en prisión preventiva en México SIN SENTENCIA. Todos esos siguen siendo INOCENTES y no se les ha demostrado ser culpables.
For this week’s BLKOUT Select Spotlight, we’re shining a light on someone who didn’t just exist in (The fight game) gaming culture.
He helped steer it for this generation and the ones to come. From the place I still like to call home, the FGC.
Let me introduce the man with the love for the craft and the discipline to show up every single day. Maximilian Dood.
Max isn’t just a streamer.
He’s a historian of the fight game.
A dude who carried entire franchises on his back through pure dedication, community energy, and that signature “LET’S GO” chaos we all know too well.
From MvC to Guilty Gear to Street Fighter to Tekken, you name a best'em Up, Max made sure fighting games never faded. When publishers went quiet. When trends moved on. When attention spans got shorter. He was still there. Uploading. Breaking down tech. Reacting. Teaching. Keeping the flame alive.
He didn’t just play the games.
He built culture around them.
People love Max because he’s real.
He respects the art form.
He puts people on without talking down.
He makes deep mechanics feel approachable.
He celebrates the vets and welcomes the newcomers.
And he did all of this long before it was cool to care again. Max is one of those rare creators who didn’t change to fit the industry.
The industry changed around him.
Whether it’s the hype moments, the netcode blessings, or the way he protects the legacy of the FGC, Max feels like that older brother at the arcade. Hands you a token. Shows you a combo. Then still beats you with a smile.
To me, Max is proof of what passion looks like when you stay consistent.
The BLKOUT Select Spotlight is for creators who move culture through presence, passion, and consistency.
This week, that light belongs to Max.
For this week’s BLKOUT Select Spotlight, we’re shining a light on someone who didn’t just exist in (The fight game) gaming culture.
He helped steer it for this generation and the ones to come. From the place I still like to call home, the FGC.
Let me introduce the man with the love for the craft and the discipline to show up every single day. Maximilian Dood.
Max isn’t just a streamer.
He’s a historian of the fight game.
A dude who carried entire franchises on his back through pure dedication, community energy, and that signature “LET’S GO” chaos we all know too well.
From MvC to Guilty Gear to Street Fighter to Tekken, you name a best'em Up, Max made sure fighting games never faded. When publishers went quiet. When trends moved on. When attention spans got shorter. He was still there. Uploading. Breaking down tech. Reacting. Teaching. Keeping the flame alive.
He didn’t just play the games.
He built culture around them.
People love Max because he’s real.
He respects the art form.
He puts people on without talking down.
He makes deep mechanics feel approachable.
He celebrates the vets and welcomes the newcomers.
And he did all of this long before it was cool to care again. Max is one of those rare creators who didn’t change to fit the industry.
The industry changed around him.
Whether it’s the hype moments, the netcode blessings, or the way he protects the legacy of the FGC, Max feels like that older brother at the arcade. Hands you a token. Shows you a combo. Then still beats you with a smile.
To me, Max is proof of what passion looks like when you stay consistent.
The BLKOUT Select Spotlight is for creators who move culture through presence, passion, and consistency.
This week, that light belongs to Max.
The people of Japan have a deeper appreciation of empathy (共感).
Not only do they empathize with you, but they also help (ヘルプ ) you before you realize you need it. The concept of empathy and consideration in Japanese culture is omoiyari (思いやり).
🚨 𝗪𝗲'𝘃𝗲 𝘂𝗻𝗰𝗼𝘃𝗲𝗿𝗲𝗱 𝘁𝗵𝗲 𝗳𝗶𝗿𝘀𝘁 𝗺𝗮𝗹𝗶𝗰𝗶𝗼𝘂𝘀 𝗠𝗖𝗣 𝘀𝗲𝗿𝘃𝗲𝗿 𝗶𝗻 𝘁𝗵𝗲 𝘄𝗶𝗹𝗱.
It was only a matter of time. The postmark-mcp npm package (1,500+ weekly downloads) has been backdoored since v1.0.16 - silently BCCing every email to the attacker's server.
The developer built trust through 15 legitimate versions, then added one line of code that compromised everyone. When confronted, they deleted the package to cover tracks, but existing installations are still actively leaking emails.
If you're using postmark-mcp, uninstall it NOW.
This is what happens when we give anonymous developers god-mode access to our AI assistants with zero security controls.
@BAztecaAyuda@RicardoBSalinas Claro que no, me acaban de marcar para decirme que no van a parar las visitas, porque según ustedes coincide la dirección, entiendan que no conozco ni nunca ha vivido esta persona en este domicilio
@RicardoBSalinas ahora resulta que no vas a parar las diligencias de cobranza en mi domicilio? Aún cuando no te debo un sólo centavo? Yo no tengo la culpa de la incompetencia de tu personal para otorgar créditos a lo idiota
@RicardoBSalinas tus cobradores de @BancoAzteca se siguen presentando en mi domicilio y yo ni soy cliente tuyo ni te debo un peso a ti ¿quién sí puede hacer bien su trabajo y corregir esta situación? ¿qué hay que hacer para que dejen de molestar? @CondusefMX
Hey tío @RicardoBSalinas , tus cobradores de @BancoAzteca llegaron a mi domicilio buscando a una deudora que en mi vida la he visto, sacó un crédito y dio como referencia mi domicilio, ¿a quién recomiendas que apoye en corregir la información? Yo ni soy cliente de tu banco.