Developed from scratch in just 4 weeks, on a budget of roughly $1,000 in credits, I took a 124 year old horror story that's already been adapted into 20+ films and reimagined it entirely using a single Al platform: @invideoOfficial
Based on W.W. Jacobs' 1902 horror story, The Monkey Paw is a cautionary tale about a cursed artefact that grants three wishes, but with terrible consequences.
I reworked the tale to become part of a larger Lovecraftian mythos I've been creating for over 20 years, set in the fictional town of Brightburn, Massachusetts.
I set out to achieve three goals:
1. Stay as faithful as possible to the original story
2. Deliver a strong emotional arc through believable AI performances
3. Push the medium as much as possible to emulate a real film breaking the AI illusion
You can be the judge of what worked and what didn’t.
Who needs to wait for Seedance 2.0 when we have Kling 3.0?
I present "Cosmicbara" a whimsical animated short about a Capybara.
🔊On for a fun soundtrack.
Made with @freepik and @Kling_ai
I’m a 42 year old former filmmaker. I made this in 3 days with $39 in credits because it was fun to channel the creativity I had in my 20s
It entailed writing, directing, cinematography, art direction, SPFX, editing & sound design
The kids will rock our world with these tools❤️
The Current surRIHL Club System Drop is live.
Monthly visual systems built for clubs, venues, and immersive screens.
Get the monthly drop.
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This is the behind-the-scenes story of the new Framer Academy studio. What began as a workflow problem in Oregon became a full-fledged studio in Southern California. No green screens, no post-production.
I made this with only Nano Banana Pro (me as character Ref) and Veo3 (frames to video).
+ a slight hybrid approach at the start: I included real traditional footage of me shooting behind the scenes on a few advertising productions. I felt this helped ground it into reality a bit more. But other than that, the rest is generated.
I also cloned my voice in eleven labs for the interview parts and voice changed the veo3 voices it generated, to my own.
But for the street and rooftop dialogue, I recorded myself on an iPhone from about four feet away to get a rawer audio feel and shouting cadence.
Thanks for watching!