@WesBank Hi. I’ve followed up 3 times on the phone. Always a promise to escalate but no results. Finance approved but snail like service getting my approval code.
@WesBank What’s with the slow service!? Applied online Thursday, approved, and now taking forever to get my approval code. Time to put some wheels on your delivery speed… might just go with one of your competitors.
@EasyEquities Geez, how long does it take to answer a query? 4 days and no response. No contact number. Dumb bot emails, and I still can’t access my funds. Your customers service seriously sucks at the moment!
“So, party people, it is… Nearly 10 to 7, in the evening, in the UK, depending on where you’re watching this. It’s a Friday night. FRI-DAY NIGHT! Wooo!”
@CityofCT This road has been like this for over 8 months. Passed from pillar to post with no one taking responsibility and now this generic “6-9 month to resolve” fob off. Just fix the road City of Cape Town.
I’m excited to announce that my team at FuturExotics and I are fueling AJ Venter’s 2025 Isle of Man TT campaign with a three-year, R4.2 million sponsorship. As someone who’s obsessed with speed, precision engineering, and pushing limits, backing AJ’s relentless drive to succeed was a no-brainer. He’s Africa’s lone representative at the TT, and I’m proud to help him show the world how far local talent can go when given the right support.
AJ will be tearing up the track on a fully transformed BMW S 1000 RR - specifically tuned to conquer one of the most dangerous and prestigious road races. Join us in cheering him on as he chases a podium finish and makes South Africa proud.
#ZunaidMoti #FuturExotics #AJVenter #IsleOfManTT #FExAJ
New Blocking Breakdown from CLOSE ENCOUNTERS OF THE THIRD KIND.
This one is nothing flashy in terms of camera movement. One dolly back and some pans and tilts to follow the movement. But the actor blocking is really exceptional. The actors move naturally through the frame into shifting compositions which mark shifting dynamics and allegiances between the three... and later four characters. It feels chaotic and domestic, but it's shockingly elegant. (I run through it a second time with longer pauses on each composition. I know there are a lot of annotations to take in.
GLOSSARY of Abbreviations/Terms used:
ECU - Extreme Close Up
CU - Close Up
MCU - Medium Close Up
M (or MS) Medium Shot
MLS - Medium Long Shot
LS - Long Shot
ELS - Extreme Long Shot
FAVORING: (Who's face is favored by camera) BLOCKING: Where/when the actor positions themself relative to camera/ dramatic beats
CLOSE ENCOUNTERS OF THE THIRD KIND - 1977
Dir - Steven Spielberg
DoP - Vilmos Zsigmond
Promise I'll do some other directors' films too. Spielberg is just too fun.
#FilmTwitter #spielberg #directing
SA remembers Babita Deokaran who was killed because she spoke up against corruption. We acknowledge her family's pain. The tragic reality is that if Babita was alive today, asking SA government and companies for support & protection, she'd be ignored.
The beautiful Johannesburg City Library shut for 3 years by an inept city administration. At least R30-million spent on a mystery fix and another R30-million to go. An empty library which could feed so many minds is a tragedy. Shout! This is a travesty. This is corruption.
This blocking and camera movement breakdown is from Steven Spielberg's Minority Report. This one's a little different because it's a steadicam shot so the compositions flow very quickly at times. I don't like to call ALL of Spielberg's multi-composition shots oners because, typically, they are just old-school blocking, staging and cam movement. Actor's moving at specified dramatic blocks, and the camera moving to reframe for unique compositions, that these day's would more likely be broken into shots on most films. This one could arguably be called a oner though since it's a full scene in one continuous shot. I count 11 compositions in this steadicam shot.
Minority Report - 2005
Credit due also to Spielberg's team, Janusz Kaminski (DP), and the Steadicam operator Gregory Lundsgaard (per IMDB).
#filmtwitter #spielberg #directing #steadicam #MinorityReport
Unfiltered at Sisonke Gallery, 90 Bree Street, Cape Town.
The exhibition features a collection of works by artists for the Spier Arts Trust’s Creative Block programme that were censored for many different reasons of their content.