The first time I saw DEH on Broadway was Taylor’s final and the last time was Ben’s opening. The past few years was a bless. I’ve been lucky enough to go on this jounery with the show and I learned a lot. Thank you! Happy Closing! You’ll always be my favorite! @DearEvanHansen
Ben Levi Ross shares what the enthusiastic “Ragtime” audience response to his character’s arc in the Tony Award-winning revival means to him: “What this character is standing for is something that Ben also stands for and believes in.”
In an emotional moment, "Ragtime" star Ben Levi Ross admits to being a Caissie Levy superfan on the 2026 Tony Awards red carpet.
Presented by Tri-State Cadillac
Josh O'Connor introduces Emma Corrin at Variety's Power of Women London event:
"Emma has had a monumental impact on the industry as a performer. They've been a huge inspiration to me. They’ve held themselves with heart, kindness and grace consistently."
this is frying me so bad but it also goes to show how well the puppeteers did their job in showing how mad rocky was getting in that scene😭😭 it's good to know that rocky was also cussing grace out because I would be too
Here’s a video I took while we were shooting. You can see on the upper right Tomas pouring water into a tube that runs between 2 panes of glass in front of the handheld camera Greig operates, giving a smeary, drippy look. Ryan stands in a cage of blinking IR lights which are invisible to the naked eye, but in the monitor it’s beautiful. We used this method for closeups. Medium-wides we did on the spaceship set with fewer lights & a lot of digital augmentation/replacement from ILM, and wides were fully digital from ILM, to match this look.
Cinematographer Greig Fraser breaks down the lighting in “Project Hail Mary,” the most challenging film of his career:
• The 70-foot tunnel where Rocky meets Grace was illuminated at once rather than using a single moving light to simulate sunlight passing through the entire space.
• Fraser couldn’t rely on LEDs, so the team built a massive rig of old-school tungsten lights and pixel-mapped them to create a controllable, moving “sun” inside the tunnel.
• The eerie look of the sequence was inspired by deep-sea footage, with the tunnel designed to feel like descending into darkness, lit only by a single source.
• Rocky could only be front-lit and couldn’t emit any light of its own, so everything had to come from the “sun” source in the scene.
https://t.co/WmovcR9dj7