FREEDOM 250 GRAND PRIX: Racing legend Mario Andretti joined “Wake Up America Weekend” to preview the historic IndyCar race through Washington, D.C., where drivers will hit speeds of up to 190 mph on a tight 1.7-mile street circuit through the heart of the nation’s capital.
Here's this weekend's Track Map in Washington, D.C.
Distance: 1.7 Miles
Turns: 7
Start/finish line on 3rd straight in front of the Capitol
Pits are located off Pennsylvania Ave. between Turns 1 and 2
They'll race counterclockwise
#IndyCar
Alex Palou nos enseña el nuevo trazado urbano de Washington DC 🇺🇸 donde IndyCar correrá este fin de semana. 🦅
Un GP muy especial con un circuito de 2.7 kms y 7 curvas donde la carrera será todo un reto para los pilotos: 400 kilómetros de distancia. 🏛️
Built on history. Made for the streets of D.C. 🇺🇸
Introducing Marcus Armstrong’s No. 66 REMAX Honda for this weekend’s Freedom 250 Grand Prix of Washington D.C.
Apparently Chris Cuomo doesn't like all the old clips I've posted of him being a condescending prick during the pandemic being shared.
So I'm going to post a bunch more.
Here's Cuomo in 2021 mocking and berating Byron Donalds for not getting vaccinated.
Marble hands sculpted by Michelangelo at age 26 and Bernini at age 23.
The comparison between Michelangelo’s marble hands, sculpted at age twenty-six, and Gian Lorenzo Bernini’s work at twenty-three reveals two different approaches to portraying the human form. In David, Michelangelo displayed extraordinary anatomical precision, rendering veins, tendons, and muscular tension to convey both physical strength and intellectual power.
Bernini took marble in an equally remarkable direction with The Rape of Proserpina. His depiction of Pluto’s fingers pressing into Proserpina’s thigh creates the astonishing illusion of soft flesh yielding beneath his grip. Where Michelangelo used marble to express idealized human perfection, Bernini transformed it into something remarkably lifelike and tactile.