Christopher J. Greco

woodwinds | composer | professor

[Christopher J. Greco @cjgreco1]

Host and Juror | 8th International Silverstein Clarinet Contest 2026
https://t.co/fLwcTmm78h

[Christopher J. Greco @cjgreco1]

Chris Greco Trio | Finalist in Jazz - Unsigned Only 2026
"Messages"
https://t.co/gbxsh03sX1

[Christopher J. Greco @cjgreco1]

Chris Greco Trio | Finalist in Jazz - Unsigned Only 2026
https://t.co/5XTqaRQRyK

https://t.co/gbxsh03sX1

[Christopher J. Greco @cjgreco1]

Take Effect - Review
Baroque for soprano saxophone and piano (Navona)
"Refined and elegant, with thoughtfulness and a thrilling presence."
https://t.co/dR5mAla7JO

[Christopher J. Greco @cjgreco1]

Fanfare Magazine Review 2 - Mar/Apr 2026
Baroque for soprano saxophone and piano (Navona)
"Greco revels in the music's vibrance and beauty. Recommended."
https://t.co/fzqGuX35Iv

[Christopher J. Greco @cjgreco1]

Fanfare Magazine Review - Mar/Apr 2026
Baroque for soprano saxophone and piano
"A tastefully chosen and flawlessly executed program. Strongly recommended."
https://t.co/0TNTe6fKKv

[Christopher J. Greco @cjgreco1]

@LauraLoomer If that's the case Laura, loyalty to those who deserve loyalty, and assuming that the loyalty you refer to is to those who act on what is right and true, then keep doing what you do best. Liars are impersonators, and they're unlikeable, true.

[Christopher J. Greco @cjgreco1]

@Wisdom_HQ Hope.

[Christopher J. Greco @cjgreco1]

@Wisdom_HQ 34

[Christopher J. Greco @cjgreco1]

Listen and watch on demand: conversation with Vienna Live | Simeon Morrow
https://t.co/JSVeHu7j3n

[Christopher J. Greco @cjgreco1]

An upcoming conversation December 17th with Simeon Morrow.
https://t.co/xDXBZld09B via @YouTube

[Christopher J. Greco @cjgreco1]

Brief overtone series article written for Doron Orenstein's website.

The Beauty of the Saxophone Overtone Series https://t.co/PSS4mmbfZd

[Christopher J. Greco @cjgreco1]

@bestsaxophonewe @cjgreco1

[Christopher J. Greco @cjgreco1]

@Baerenreiter After arriving in Vienna Mozart makes contact working with the local musicians. Stadler becomes a common contact and a source of inspiration.

[PARMA Recordings @PARMARecordings]

"Greco's inspired re-casting of early material consistently presents it in a fresh, new light." – Textura on @cjgreco1's BAROQUE: FOR SOPRANO #SAXOPHONE AND #PIANO. Read their full review of the "illuminating" #NavonaRecords release.
https://t.co/DhmuE6mwpM

[Christopher J. Greco @cjgreco1]

Yes, Krenek's work is worth the revisit. A representative of the twentieth century's preference for modernism, and experimentation coupled with highly crafted compositional technique. Check out Sestina or String Quartet No. 8.

[Christopher J. Greco @cjgreco1]

Yes, this quote is interesting. It has been suggested that this statement was a political action so that one faction of the council could influence the move to continue to search for a candidate. Telemann had dismissed the offer, but likely used it as leverage to increase his status at his current position. Bach was essentially an outsider, hence the "mediocre" comment, because superior work is often (publicly and privately) not recognized during its time.

[PARMA Recordings @PARMARecordings]

Our recent #InsideStory interview with #saxophonist @cjgreco1 spanned topics ranging from his passion for discovering #newmusic and influences to his interests in #nature, #gardening, #history, and more.
https://t.co/LjxkKw5Dt6

[PARMA Recordings @PARMARecordings]

“@cjgreco1 and @PoSimWong do an admirable job at extending the #Baroque repertoire into an instrument that seems ideally suited for it.” – @interludeHK on BAROQUE: FOR SOPRANO #SAXOPHONE AND #PIANO from #NavonaRecords. Read the full #album review.
https://t.co/H190GQbT5K

[Christopher J. Greco @cjgreco1]

@teatrolafenice Yes. Also, J.S. Bach was well known as foremost, an excellent improviser.