Avui fa 100 anys de la mort del mestre Antoni GaudĂ. I a âLes tres bessones i GaudĂâ, la seva mort es representa poĂšticament: en lloc de ser atropellat per un tramvia, seâl veu pujant-hi i retrobant-se amb el seu amor de joventut.
Pell de gallina. Sempre referents.
Ăs a dir, els teus fills -a molt tardar- comencen l'escola als 5 anys i acaben d'estudiar als 16, com a poc. Els responsables de cuidar-los, educar-los, i ensenyar-los, durant MĂNIM 13.706 hores surten a dir que estan COL·LAPSATS, i tu t'enfades perquĂš et tallen una carretera
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Na Mireia JordĂ ens explica amb un exemple molt grĂ fic quĂš significa aixĂČ que alguns diuen que no existeix, perĂČ que molts catalans hem patit, la catalanofĂČbia a Espanya.
Xabier GĂłmez GarcĂa, bishop of Sant Feliu de Llobregat, dedicated his Sunday letter to ROSALĂA:
âWe are so far apart⊠I write to you on this page as someone who casts a message into the sea inside a bottle, not knowing if it will ever reach you. I cannot fully understand you, but I would like to. Your art, hypnotically eclectic and performative, and you yourself, awaken in me countless questions. Perhaps it is not something that needs to be understood. Still, I wonder what lies within you, in your inner world, at this stage or cycle of your life as a woman and artist.
Your lyrics puzzle me, yet they also open me to the possibility of a dialogue about the complexity of human experience. You understand love as a force that can be painful, liberating, even divine. Your art is a space where vulnerability and strength coexist, where desire and faith can meet.â