"[Jocelyne] Saab’s films serve as timely reminders that neocolonial aggression has never been a defensive maneuver... Saab lived through the wars she documented, and her lyrical missives are marked both by fearlessness and vulnerability." | @CLF_Project:
https://t.co/q5rWjTMyt6
"'At the time,' Woodberry recalls, 'we felt that the image of the Black working-class leftists tended to project was very different from the reality we knew.'" Billy Woodberry in conversation with Giovanni Vimercati. https://t.co/I4NJT61IfC
35 anni di Fuori Orario, passione indocile della notte
Da stasera su Rai3 per l’anniversario della trasmissione. Imperdibile «La nott' e 'l giorno» di Gianni Castagnoli, compagno di Patrizia Vicinelli, dichiarato un capolavoro e poi scomparso
https://t.co/hM1CRM0rY1
A 70-year-long story between disruptive milestones such as the Miura and the Stratos: dive into an Italian car design myth sinking its roots in early 20th century Turin. https://t.co/0Fo6exHDmt
Celluloid Liberation Front (@CLF_Project) write on Heiny Srour’s newly-restored 1984 film LEILA AND THE WOLVES, "a film of monumental resolve and ambition, determined to address the contradictions within the anti-colonial struggle." https://t.co/Hi9qdNNLM5
"Flamboyant and anti-clerical, modernistic and anti-colonial, folkloristic and experimental, his films resist categorization and bear testament to the possibilities of the medium..."
@CLF_Project consider the films and career of Med Hondo. https://t.co/dm5G9mf6xu
Very sad in more ways than one. At a time when the distinction between criticism and publicity got increasingly blurrier, CS and MP kept on practicing the noble art of taking sides.
The Hour of Liberation Has Arrived by Heiny Srour, screening at Mizna Film Series.
2/28 at 7pm @TrylonCinema
TICKETS : https://t.co/s6QnbbbAK0
The film archives a forgotten moment in history, when a feminist, guerrilla movement in Dhofar rose up against the Sultanate of Oman.