Cinema Scope

1999-2024

[MOIRÉE @heyMOIREE]

Our latest Cannes Roundtable is here!

In this one, Blake Williams, Daniel Kasman, Mark Peranson, Öykü Sofuoğlu, & Pedro Emilio Segura Bernal discuss:

HOPE
EVERYTIME
THE UNKNOWN
FJORD
MINOTAUR
HER PRIVATE HELL
TORINO SHADOW

https://t.co/WFyWTSdrpV

[MOIRÉE @heyMOIREE]

Our latest podcast is a Patreon exclusive.

Blake Williams, Mark Peranson, Öykü Sofuoğlu, Flavia Dima, Keva York, and Jordan Cronk discuss:

LA LIBERTAD DOBLE
GENTLE MONSTER
PAPER TIGER
PROPELLER ONE-WAY NIGHT COACH
JOHN LENNON: THE LAST INTERVIEW

https://t.co/rS3n589xGR

[MOIRÉE @heyMOIREE]

Our first Cannes Roundtable is live!

Listen as Blake Williams, Mark Peranson, Daniel Kasman, Öykü Sofuoğlu, & Pedro Emilio Segura Bernal discuss:

- The Electric Kiss
- Butterfly Jam
- Teenage Sex and Death at Camp Miasma
- A Woman's Life
- Nagi Notes

https://t.co/ndCCz1RcAG

[Cinema Scope @CinemaScopeMag]

@WillSloanEsq @WVLGTHS Thanks Will

[Cinema Scope @CinemaScopeMag]

https://t.co/K1tvdmEPsp

[SurfSkateThrash @SurfThrash]

Johnny Thunders
Can't Put Your Arms Around a Memory (1978)
Clip from unnamed French TV show
https://t.co/OS43wtRxPv

[Cinema Scope @CinemaScopeMag]

@vrizov @SophyRomvari Sorry to hear, 48’s not bad

[Cinema Scope @CinemaScopeMag]

Ciao Béla

[National Society of Film Critics @TheNSFC]

Best Experimental Film: MORNING CIRCLE (Basma al-Sharif)

[Cinema Scope @CinemaScopeMag]

Yo La Tengo - Gimme Some Money, She’s My Best Friend, Jokerman - 2025-12... https://t.co/xVosjgieXe via @YouTube

[Cinema Scope @CinemaScopeMag]

Maybe Yamamoto is starting tomorrow

[Cinema Scope @CinemaScopeMag]

@GeneralAsst 2-2

[MOIRÉE @heyMOIREE]

For your weekend listening, we bring you a special @TheNYFF podcast in which Blake Williams, Vadim Rizov, Matilda Hague, Phil Coldiron, Vikram Murthi, and Edo Choi discuss a range of short and feature-length films in the Currents section.

Listen here: https://t.co/EhuJWYNoSu

[Cinema Scope @CinemaScopeMag]

RIP Ken Jacobs

[Notebook @mubinotebook]

"... it’s not a message movie, that’s for sure. It’s just depicting how complicated human interaction is. And more concretely, it’s that the question of racial bias is not easily resolved by good intentions, and that we have to be aware that by trying to do something good, we can make things worse, quite easily."

Ulrich Köhler and Mark Peranson (@CinemaScopeMag) on GAVAGAI: https://t.co/Yytat4T399

[MUBI @mubi]

Recently on Notebook:⁠
🔹 Maxwell Paparella (@44getting) reports from #TIFF50 and #NYFF63; Daniel Kasman (@danielkasman) from @TIFF_NET; José Emilio González Calvillo, @CharlyneGenoud, and Jason Tan Liwag (@jaseybel) from @FilmFestLocarno
🔹 As this year’s @TheNYFF gets underway, @adriancurry looks back at posters from the 1975 edition; Rafaela Bassili (@sallyjaygorce) on the anti-romantic comedies of Pia Frankenberg⁠
🔹 @JordanCronk sits down with Kent Jones to discuss LATE FAME; @LeonardoGoi interviews Alejo Moguillansky on PIN DE FARTIE and Pietro Marcello on DUSE; Mark Peranson (@CinemaScopeMag) speaks to Ulrich Köhler about GAVAGI⁠

[Notebook @mubinotebook]

Ahead of his film's @TheNYFF premiere, director Ulrich Köhler met Mark Peranson (@CinemaScopeMag) to discuss GAVAGI, a deeply personal exploration of race and power relations at a European film festival. https://t.co/rYr9h3tGRT