lu boleh benci dan gasuka sama newjeans tapi lu gaboleh denial sama kesuksesan dan gimana influence nya newjeans di dunia musik & design graph especially DKV
Hey guys. To keep it short and sweet, I’m stepping away from hosting watch parties. The past few years have flown by and it’s been a hell of a ride.
Special shoutout to everyone who was a part of it. After a short break, I’ll be back to gaming streams. Thanks for the memories ❤️
Gatel.
Ini lah kenapa bagiku karya seni apa pun yang dibikin (yaudah, iya, “dibantuin”) pakai generative AI itu ga bakal bisa kuterima sebagai “art.”
Opiniku dalam empat screenshot:
Sometimes I realize, ternyata aku gampang banget attached sama kenangan. Bisa tiba-tiba kangen sama tempat yang pernah didatengin, suasananya, kejadian-kejadian kecil, atau bahkan orang-orang yang sekarang udah jauh atau nggak ada di hidupku lagi.
H*BE PR manager: “NewJeans didn’t sell that much in Japan” “Their debut stage in Japan wasn’t successful”
meanwhile this was literally their “unsuccessful” debut in Japan, and mind you it was JUST a fan meeting
Ada lagi nih preset hasil ngulik di lightroom Masih edisi kamera 35mm atau sering dibilang kamera film ✨
Kalau ada yang suka boleh nih dicoba aja ya..
Langsung aja repost, komen, dan dm ya biar engga kelewat 🫡
Gratis✨📸
Drama ads aren’t just for women.
That might be one of the dumbest assumptions in advertising right now.
Men will watch drama.
You just have to give them a reason to care.
And one of the easiest ways to get a man emotionally invested is to put him in a situation that hits his ego.
He feels himself getting weaker.
His hair is disappearing.
He can’t keep up with the younger guys anymore.
His wife doesn’t look at him the same way.
He’s embarrassed by something he would never admit out loud.
That’s your hook.
But the mistake is revealing the product immediately.
Let the story breathe.
Let the insecurity build.
Let the viewer wonder what happens next.
Then, at the end, reveal the bigger picture.
Because the story was never really about the product.
It was about confidence.
Identity.
His relationship.
Getting older.
Feeling like himself again.
That’s what makes drama so powerful.
Almost any product can become a prop inside a story that actually means something.
The product is the mechanism.
The story is the reason to watch.
And this is where watch time becomes a massive creative advantage.
If you can get someone to watch 30, 45, 60+ seconds instead of 2 seconds, you’re creating dramatically more opportunity for Meta to learn who is actually responding to your creative.
More watch time.
More engagement.
More shares.
More signals.
And potentially more efficient acquisition as the system finds people who respond to that type of content.
That’s the part people miss.
The goal isn’t just to make an ad people click.
The goal is to make an ad people watch, finish, and send to someone else.
Because when the story earns the attention, you get something traditional UGC rarely gives you:
Time.
And time is one of the most valuable things you can get in advertising.
You just can’t directly buy it…
People can just swipe right past your ad…
You have to convince the customer to give it to you.