If you’re in Paris come get a very limited edition signed poster at 1400hrs at Paris photo and meet @colesternberg the wonderful artist behind the cube
Take a sneak peek at @colesternberg’s ‘a garden’ cube, now on display at the “Balcon d’Honneur” of the Grand Palais for @ParisPhotoFair 2025! 🚀
Learn more about how Sternberg transformed Giga’s school connectivity data made public on blockchain into a captivating artistic experience.
If you’re at the show and see the cube in person, share it on your social media and tag us so we can repost— we’d love to see your impressions of this display!
@chrisfabian@NinaRoehrs
🌵❤️One of the most fascinating, gorgeous works on view at @ParisPhotoFair: 🌼 @colesternberg's
✨--a garden--✨ a project that combines generative art & blockchain's native strengths to power online education for children around the world @Gigaglobal ❤️🌵
🌎 To support giving children the opportunity to learn online globally, donate using crypto on the site: https://t.co/Gg8c2WsyNn
This week at @ParisPhotoFair: ‘a garden’ by @colesternberg 🚀
In collaboration with conceptual artist @colesternberg, we are working on ‘a garden’, a generative art project built with Giga Blocks.
This puts school real-time connectivity data permanently and publicly online while the art transforms and becomes more colourful to show the stages of school connectivity.
🔗 Learn more about ‘a garden’: https://t.co/XMbHf5Dia9
🌎 If you want to support giving children the opportunity to learn online globally, donate using crypto on the site: https://t.co/dNB6irHxKS
I haven’t been on this in ages, but I couldn’t resist showing the install of my work ‘a garden’ for Giga at the Grand Palais. It will pair w the biggest revolution in education (ie Giga) to create the largest generative work in the world (creating unique pieces for 1M+ schools).
Museums & the traditional art world are in a precarious spot. So is internet-era art. While many of us here have lost patience with old institutions, remember the people working there love art just as deeply as we do, and with far less greater potential for profits. They're not our enemies, they're potential allies wrestling with the same questions we are. At every major museum, there is one weirdo out there fighting to support the great art of our time, at least that has been my experience. Just some top of mind thoughts from convos I’ve been having as of late…