Excited to launch In Contxt, a mini interview series curated by Francesca Gavin. In Contxt highlights the cultural lives of artists. Each artist chooses four things that shaped their practice โ a book, a film, a record, and a work of art. Very proud to start off with... ๐งต
...and Suzanne Treister
The Master and Margarita by Mikhail Bulgakov; Les Enfants Terribles Dir. Jean Cocteau; Hunky Dory by David Bowie; Matthias Grรผnewald's Isenheim altarpiece
Discover more at https://t.co/fBJdstWtg7
Just in time for the Vatican's arrival on the scene: https://t.co/3X6uKJeKiW - an overview of 1677 churches in the eternal city incl. interior and exterior views, an artist index and of course, a Map.
CONTXT VENICE is out now. Its the ultimate tool to discover the exhibitions you want to see. Not easy with 190+ concurrent shows. Try it: https://t.co/B0sFxjrAWW
Artists can now sign up for the waitlist for @contxt_ai's Footnote. Footnote lets you curate and publish the references, context, and story you want the world to see.
1. You point it at your social media accounts and links, Footnote's agents do the rest. They pull in exhibitions, interviews, reviews, artist statements, appearances, and announcements around your work, building the archive you always wanted without the headache of annotating it yourself.
2. It creates a unified source of truth about you and your work, optimized for both human and AI readability. We believe artists should own their narratives, especially the ones AI is trained on. Your Footnote page is your canonical, structured source of truth. So that when AI talks about your work, it cites what you want it to.
3. If you wish, Footnote lets visitors ask questions. Give curators and collectors a frictionless deep-dive into whats important. Not as a carbon copy of your voice, but as a neutral archivist unearthing your best stories at the right moment.