Kate

[Kate @corgleesi]

@DanODonnellShow They want to win the Supreme Court so gerrymandered maps are struck down? That’s what he said. That’s what either party would and will say. It’s not radical, it’s politics as usual.

[Kate @corgleesi]

@TexasIsTexan @yoyofakowee @SarcasticIsabel @grok The photos of him beg to differ

[Kate @corgleesi]

@OutFrontCNN @KFILE She’s not embarrassed to be from MN. I still won’t vote for her, but this is a ridiculous position.

[Kate @corgleesi]

@strggr_ @gulaazren Oh yes.

[Midwest vs. The Rest @midwestern_ope]

What every Midwest state's name actually means

[Kate @corgleesi]

@rickygervais THANK YOU. Seriously. An incredible use of your talent, beyond making my dumbass laugh 💕

[Brian Roemmele @BrianRoemmele]

Do you feel it?

In late 19th-century Paris, while concert halls demanded massive orchestral sound and technical speed, Erik Satie took a radically different path. They made fun of him. They tried to ignore him.

Working as a pianist in the cabarets of Montmartre, he composed Gymnopédie No. 1 in 1888—a work that stripped Western classical music to its barest essentials.

The piece operates on a deliberate paradox. Though peaceful on the surface, Satie marked it lento e doloroso (slowly and painfully).

That underlying melancholy prevents the music from becoming purely decorative, giving every suspended chord weight and quiet gravity.

Watching it played, you see the thought and weight put into each simple note as it pulls on something inside you.

To many it is not to make you feel good but to feel. And in this is something shared. Perhaps a rainy-day memory.

In this 1966 broadcast, French pianist Jacques Février demonstrates the strict discipline Satie’s music requires. Chosen by Maurice Ravel and Francis Poulenc to premiere their works, he understood that performing Satie demands utter emotional restraint, letting the space between the notes carry the composition’s weight.

By removing resolving harmonies and traditional momentum, Satie laid the groundwork for modern minimalism and ambient music nearly a century before either genre had a name.

[Rep. Jack Kimble @RepJackKimble]

I know a lot of people are down on AI, but this is amazing. Usually, when you see the front of the horse you don’t get to see the horse’s ass too.

[Ricky Gervais @rickygervais]

Worth every penny ❤️

[Kate @corgleesi]

@Nokomis_Dad Friggin’ love. The lake AND the little pre-rolls. Love Dogwalkers.

[Alexandre Blaineau @AlBlaineau]

La cuisine de la maison de Claude Monet, à Giverny

[Kate @corgleesi]

@realMikeLindell @POTUS How long will we have to hear you whine about losing?

[Wu Tang is for the Children @WUTangKids]

Anyone know who this absolute legend is?

[Fuckin’ Princess @8WithaTiara]

I just learned that orcas are the only other mammals that experienced menopause

Trashing some dude’s yacht makes a lot more sense now

[Kate @corgleesi]

@Larue7718 @ArneyJim @RepThomasMassie Just doesn’t feel like average salary and average median home price is comparable.

[Kate @corgleesi]

@Larue7718 @ArneyJim @RepThomasMassie Love him! But I also don’t get it. 100k starter home making 100k a year isn’t really something I get?