Looking forward to performing at the Barnes Music Festival on 17 March at 6pm at the London Wetland Centre, where Handel lived for a period. Hope to see you there! 🎶🎹 https://t.co/SguiILIZtQ @BarnesMusicFest@WWTLondon
More details soon.
For now, I am so looking forward to the New Year shaped by meditation with and without the harpsichord!
Wishing you all a meaningful year! ✨
New Year’s news! 💫 I’ve been awarded a Creative Scholarship of the Polish Ministry of Culture and National Heritage for 2026 supporting the development of my project Meditations for Harpsichord over the coming year.
Meditations for Harpsichord has also received grants from the Heinrichsen Foundation, the Marchus Trust, and the Vaughan Williams Foundation, alongside private sponsorship and generous in-kind support from partner organisations and venues.
New Year’s news! 💫 I’ve been awarded a Creative Scholarship of the Polish Ministry of Culture and National Heritage for 2026 supporting the development of my project Meditations for Harpsichord over the coming year.
The project will involve new commissions for harpsichord, Tibetan singing bowls, gongs, and electronics, created in collaboration with British and Polish composers, alongside a CD recording and a series of immersive, meditative concert experiences.
The project will involve new commissions for harpsichord, Tibetan singing bowls, gongs, and electronics, created in collaboration with British and Polish composers, alongside a CD recording and a series of immersive, meditative concert experiences.
The project will involve new commissions for harpsichord, Tibetan singing bowls, gongs, and electronics, created in collaboration with British and Polish composers, alongside a CD recording and a series of immersive, meditative concert experiences.
New Year’s news! 💫 I’ve been awarded a Creative Scholarship of the Polish Ministry of Culture and National Heritage for 2026 supporting the development of my project Meditations for Harpsichord over the coming year.
New Year’s news! 💫 I’ve been awarded a Creative Scholarship of the Polish Ministry of Culture and National Heritage for 2026 supporting the development of my project Meditations for Harpsichord over the coming year.
New Year’s news! 💫 I’ve been awarded a Creative Scholarship of the Polish Ministry of Culture and National Heritage for 2026 supporting the development of my project Meditations for Harpsichord over the coming year.
This concert is culmination of the collaboration with London Composers Forum: from our first workshop exploring the harpsichord’s sounds and styles, through the feedback sessions. Now, it’s time to share 8 brand-new harpsichord pieces with the audience! 🎹🎶Hope you can join us!
Baroque meets the future - and you’ve never heard anything like it. 🎹✨🎶💫Featuring new harpsichord music by @RigakiE, Janet Oates and Lisa Robertson. Free tickets, register via Untitled Experiment: https://t.co/92EP1Lpdi9
#LondonConcert#ExperimentalMusic#UntitledExperiment
Pamela Nash also writes: “Kowalik’s execution throughout these six pieces allows the prevailing rhythmic characters and gestures time to breathe… The sixth and final Invention, played with compelling control, is a sublime example of the composer’s brillante writing.”
✨Delighted to share this wonderful review from Harpsichord&Fortepiano magazine of my CD 💿 Inventions: Contemporary Music for Harpsichord, recorded with Prima Facie, featuring works by Stephen Dodgson and Elizabeth Maconchy. Many thanks to Pamela Nash for such thoughtful words.
This is actually hilarious. Score based on real mistakes of over 40 pianists. I totally made some of those, it’s amazing how universal some mistakes are! Now, here you have a list of the possible mistakes, does it prevent you from making them? #KnockTurn#LoveYourMistake
Happy New Year! Happy to share new live videos from the French Collection recital at the New Space, New College, Oxford, including this wonderful prelude by Elisabeth Jacquet de la Guerre: https://t.co/vYDGx8woj0
What I love about the unmeasured preludes is the freedom they offer and countless invitations to explore time and space in music through ‘clouds’ of harmonies, ambiguous gestures and improvisatory character.