Do you remember when the whole world said “What did he just do?”
Motown 25.
Billie Jean.
Black jacket. White glove. White socks.
The instrumental break.
Pose.
Then he glides backward.
Spin.
Toe stand.
Michael Jackson’s first moonwalk — live.
Music history, in one move.
Fellow Africans from the English speaking side, this is a video clip of French economist Thomas Porcher arguing that Western countries have no interest in Africa developing industrially, as it would reduce imports of their goods and limit access to raw materials. He said it is a national interest of western nations to see Africa stay poor and not industrialised.
The caption accuses external forces of deliberately keeping Africa poor while calling on Africans to take charge of their own future and development.
This is a reflection of wider discussions in African spaces and discourse about economic sovereignty, foreign influence, and the need for self-reliance amid ongoing debates on currencies like the CFA franc.
When Panafricanist complain, they say we are engaged in blame game, that the imperialists have no hands in our present problems.
Before Christianity and Islam reached many African societies, did Africans have spirituality, morality, concepts of God, and sacred traditions? What happened to those systems?
So Davido was one of the tools used to push the Christian genocide agenda, remember his jacket of names he wore to one concert abroad. creating opportunity for Foreign US force on our soil and of later development the real deal all along, The mining deals they just closed.
Afrobeats And Its Links To US Secret Intelligence
Have you ever found yourself wondering why Afrobeats - the joyful soundtrack to the "Africa Rising" era from the late 2000s through the early 2010s - seems to have lost much of its energy and lustre of recent? Does it seem to you like the music no longer belongs to the fans and has become a distant, expensive product that nobody can relate with anymore?
You are not imagining it - in fact the reality of what has happened to Afrobeats is a lot darker than you would possibly imagine. Far from just a fresh music genre that embodied the sounds and aspirations of a new generation across the continent, it has been coopted into the arsenal of the US government's extensive foreign influence and interference tools. In fact, your favourite Afrobeats artist, as incredible as it sounds, most likely now has a handler permanently assigned to them by the US State Department.
In this special report, The Spearhead Senior Reporter Mckay Chukwu examines a story that has been hiding in plain sight for years, detailing the State Department's well-funded cultural interference infrastructure which has been deployed all over the Global South to bend entire populations and their governments toward the foreign policy goals of the US government.
My younger brother that was learning hand work told me that he fought with his Oga and ended up beating him up mercilessly.
I was surprised so I asked him what transpired cause this is someone who hardly insult anybody not to talk of fight .
That's when he started explaining that he came to work late cause my mom sent him to the farm very early in the morning so he didn't come back on time in that's why he went to work late .
While he was trying to explain to his boss what happened he slapped him and asked him to kneel down and he refused .
He slapped him again saying he's challenging him in his shop and my brother told him that he paid to learn to the work so he has no right to ask him to kneel down or even slapping him
He was still talking when his Oga gave him a punch and he said to himself this one don Pass becareful and he fought back and ended up beating his Oga .
This clip featuring General Ojukwu is from 1982, following his return to Nigeria from exile. Here, he briefly discusses his prime role during the Civil War, emphasizing that the war was not a personal pursuit, but a response to the plight and collective sentiment of the Igbo people at the time.
In other words, anything that has to do with the place of Ndigbo in Nigeria is an issue that affects all Igbos, whether for good or bad. It’s inescapable. Thus, whenever one Igbo feels threatened or tests injustice, all Igbos feel threatened. It’s in the Igbo DNA, and Ojukwu captured it well in this video.
Doesn’t this remind you of MAZI NNAMDI KANU and all Igbos currently in political distress?