In this era of artificial intelligence, it is becoming urgent to distinguish human art from what machines produce. There is an ontological difference, even before an aesthetic one, between art and what a machine can generate through statistical calculation based on millions of images created by others. Algorithms lack the spark of humanity. For this reason, the Church wishes to renew an alliance with artists and cultural institutions to safeguard our humanity.
I was asked, "How did you come up with the idea of summoning devils into a computer?"However, back in 1985 when I wrote Megami Tensei, the similarities between computer theory and magical theory were already being discussed on BBS networks and in magazines. It was a popular thinking thought among the otaku of that era, and I resonated with it deeply. To be a bit more specific...
“The True Orange that is the New Black”
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Derived from “Circum[n]utation”—playing on the words “nutation” and “mutation”—to describe the process undergone by *Homo Comosum* in a parallel universe where cryptochromes are overexcited to the point of spontaneously and magically altering physical reality.