Christopher Nolan says ‘OBSESSION’ and ‘BACKROOMS’ are evidence that cinema is on the right track:
“We’ve got all these great new young voices in movies, making the medium their own and moving it forward. This is why I never bought into the arguments that young audiences’ attention spans are too fried to enjoy a three-hour Greek epic. Those films are so mysterious and ruminative. I mean, parts of ‘Backrooms’ are like David Lynch at his most obscure. And yet young people can’t get enough of them.”
🔗 https://t.co/vyUx6mHzaH
Barbara Dennek in Jacques Tati’s PlayTime (1967)
One of the most elegant practical effects in cinema.
She opens the door… and the Eiffel Tower appears.
Studios should not be allowed to buy a movie review app. It’s a huge conflict of interest that will prey on the general public’s desires for superficial recognition as studios tend to reward positive pr seen with influencers.
Christopher Nolan says the online backlash to ‘THE ODYSSEY’ comes with the territory.
“These conversations that happen before people see the film – they’re always irrelevant. Because no one having them knows what the film actually is yet.”
(Source: https://t.co/J378r5GWMy)