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I started this alt acct to secure and keep anyone from jacking my OG username.
I'll use it as a collector account and post art I have collected, and repost stuff I like.
Late Apology
by @Astro___AI
Dear @cowpoke108 , thank you so much for collecting "The Eyes"🙏 This is my favorite self-portrait, painted in 2011, and I'm so happy that you found it. 🫂🤍🤍🤍
Gm 💜
In Iranian mythology, the number three often embodies the cycles of existence: birth, life, and death; or the past, present, and future. Just as in the Shahnameh, where three pivotal women alter the course of fate, these three figures narrate the inner destiny of a woman🔻
✨ SOLD ✨
Thank you so much dear @aida_studios for taking home the first piece 🥹 I’m touched and incredibly grateful! Sending you the warmest hug 🤍
“Shaped by Pain”
35 xtz
🖤NEW ART🖤
Entropy
I mean, I don’t know how the world broke. And I don’t know if there’s a God who can help us fix it. But the fact that the world is broken - I absolutely believe that. Just look around us. Every minute - every single second - there are a million things you could be thinking about. A million things you could be worrying about. Our world - don’t you just feel we’re becoming more fragmented? I used to think that when I got older, the world would make so much more sense. But you know what? The older I get, the more confusing it is to me. The more complicated it is. Harder. You’d think we’d be getting better at it. But there’s just more and more chaos. The pieces - they’re everywhere. And nobody knows what to do about it. I find myself grasping, Nick. You know that feeling? That feeling when you just want the right thing to fall into the right place, not only because it’s right, but because it would mean that such a thing is still possible? I want to believe that.
Rachel Cohn
(Digital drawing, 2026)
GM 🌞
‼️ New Drop ‼️
• The final labour was never meant to feel heroic.
- Most depictions of heroes focus on victory, glory, or power.
- But for me, the seventh labour of Rostam was always about something much darker: the decision to walk directly into fear.
• In this piece, Rostam is not standing against the White Demon.
He has already entered it.
- The mountain itself becomes the creature.
The cave becomes a mouth.
The darkness becomes alive.
- But this is not an image of defeat.
• Rostam is tearing the jaws of the White Demon apart from within.
- I wanted the composition to feel claustrophobic and violent at the same time as if Rostam has already crossed the point of return.
- A man swallowed by chaos, yet still strong enough to destroy it from the inside.
• In the Shahnameh, the White Demon is far more than a monster.
- It represents blindness, corruption, deception, and the forces that strip humanity of wisdom and clarity.
- That’s why defeating it restores the king’s sight.
• To me, that idea is timeless.
- Sometimes the only way to restore light is to enter the heart of darkness itself and tear it open.
• This artwork is the final chapter of my “Seven Labours of Rostam” collection.
- All previous six pieces have already been minted and collected.
• After months of illustrating this journey through my own visual language blending Persian mythology, symbolism, and digital painting everything now ends here:
- inside the jaws of the White Demon.
(It's available on SuperRare)
Burn a piece.
Drop that collection.
Make a meme.
Launch a 0 reserve auction.
List your work for 200 ETH.
Drop a 10k collection.
Bid on a 1/1.
Do whatever the fuck you want, just do it.
GMorning 💜
My art. Vs. Inspiration
A contemporary reinterpretation of Persian Gol-o-Morgh, where the figure dissolves into the flower and identity becomes an act of growth