Osayame

Just a creative gal that's really into cute colorful things with stars | 27

[Osayame @cutemagicalstar]

Hello I'm rachel, a london based art director/illustration who loves all things colour, sparkles and being black! Currently open for work/commissions #drawingwhileblack

❤️https://t.co/V7PGUPxF9R
❤️https://t.co/SYwlLt8Cst
❤️[email protected]

[Osayame @cutemagicalstar]

@Wafffeling oh...he's kinda just new york black butler....

[Osayame @cutemagicalstar]

@Ev1npower22 Put asda in D tier that is just a Yankee in disguise

[Osayame @cutemagicalstar]

Imagine losing your cunty-ass fish and being abandoned by gurl your loved, while having abonnement issues - Mari get behind me.

[Osayame @cutemagicalstar]

YURI BAIT OF THE CENTURY!?

[Osayame @cutemagicalstar]

@luiseatscomics Every diva needs their lil guy, they're the henchmen she can always rely on and never lets her down.

[Osayame @cutemagicalstar]

@woop54 Has sinners taught us nothing...we have the technology.

[Osayame @cutemagicalstar]

@radfemsiren "I want your sex" is pretty close to that tbh...

[Osayame @cutemagicalstar]

@Schaffrillas Main villains are lowkey hilarious, and the movie was made on a shoe string budget with arounds 20 ppl. It's there first proper movie and when asked the two creative leads said they learned a lot for next time. ( went to director interview). i admire them for just making this.

[Osayame @cutemagicalstar]

Yay it's raining, I finally feel British again 😭

[Osayame @cutemagicalstar]

Okay sony you were right, we gonna have to abuse these artists. Put them back in the trenches 😭

[🖤🎀 BSKY: @polybrow.co.uk @polybrow]

Miku's Coming Home

We'll take good care of her, Norway

[Flashbacks Hub @flashbackshub]

Unpopular opinion: ‘W.I.T.C.H.’ was a better show than Winx Club! The Jetix era had so many good shows ✨

[C-PHER ART @cpherart]

🌱VILEPLUME🌱✨️
- POKÉMON -
#pokemon #vileplume

[Anish Moonka @anishmoonka]

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild.

Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real.

The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later.

Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him.

Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman.

Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact.

95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

[Dora_theophilus @dora_theophilus]

I have spent the last 58 days searching for a way to get my sister the medical treatment she desperately needs. Please, we need your help to get her through a battle she never asked for. Any support, donations or even a retweet means the world to us.

Please help me save my sister.😭🤲
Help Marycynthia beat cancer!
This is not a scam, my DM is open to any questions. Please help me save my sister and my future lawyer!😭😭

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Okoro Marycynthia Chinaecherem
Access bank

https://t.co/BHTzlvXUXr

#HelpsaveCynthia

[DANIEL RALPH @danialralph]

Cold of Oshun ✨

[TheYoncéHub @yoncecapital]

We didn’t gag enough actually

[AdisaOlashile @adisaolashile]

In summer 2025, I photographed the Nigerian diaspora in Peckham. One day this series of pictures will make sense

[AdisaOlashile @adisaolashile]

Just after Sunday service In Peckham , London | 20225

[shy🎀 @mewfeuille]

I wonder if people are aware how many seldom-seen and experimental films are just sitting on Vimeo, often uploaded by the directors themselves. Here's a thread of some interesting stuff: