koda

❀

[koda @cuujos]

I FRAMED PICTURES OF THEM TO PUT NEXT TO THEIR FIGURE

[S_Scout_ @S_Scout_]

Labbing this game has been some of the most fun ive had in a while #MarvelTokon

[koda @cuujos]

DONT EVEN JOKE LAD

[Hunter❌Hunter @HxHSource]

Yoshihiro Togashi's author comment from Weekly Shonen Jump Issue #32

[冨樫義博 @Un4v5s8bgsVk9Xp]

No.422、原稿完成。

机の上が収拾つかなくなってきました。

[koda @cuujos]

i think i’m still just reeling after finishing miura’s last chapter last week and have the worst thoughts rn but great things are ahead and i’m eternally grateful

[koda @cuujos]

holy fuck we’re gonna be on this boat for another 10 years

[koda @cuujos]

i love the succession war and all its intricacies, i just want to see the dark continent and its potential so bad. i worry and have somewhat accepted that we’ll never see it fully realized

[Hunter❌Hunter @HxHSource]

It's official! Hunter x Hunter will return with chapter 411 in @shonenjump on June 28th!

Catch up on the manga here⬇️
https://t.co/7fsGJhBhuF

[koda @cuujos]

what a wacky timeline we live in to witness a season of euphoria with a pure ao3 script

[porter robinson @porterrobinson]

when i hear people talk about what Nurture means to them, and how it’s affected their lives, i can’t tell you how happy it makes me..

i feel understood in all the ways you would hope for as artist; like my exact feelings have reached people, in the exact ways i wanted while making it.

as a listener, i'd always wondered if my favorite artists could feel what i feel when i listen to their music; with Nurture, i’m CERTAIN that’s happening. i’m CERTAIN that you and me are feeling the same things when we listen to Nurture.

it means a lot to me because that highly clear, unambiguous transmission of feeling, where very little is lost or misunderstood along the way, is what i'm always striving for as an artist. it's rare for me and precious to me

happy 5th anniversary to this album. thank you to the people who love it... i hope people will continue to feel what i felt for many years to come

[koda @cuujos]

got my 100th platinum trophy with yakuza 0 on 4/20. big life milestone right here baby

[Colin @IntroSpecktive]

This the realest shit I’ve ever seen in esports

[冨樫義博 @Un4v5s8bgsVk9Xp]

No.430、人物ペン入れ完了。
420話〜の掲載時期はジャンプ編集部の
発表をお待ちください。

妻から頑張る力をもらいまくって
おります。
#アルテミス2
#シャイニングシアター

[koda @cuujos]

god i can't wait to see scary monsters animated. they better go crazy with the audio

[the pillows monument @thepillowsJPN]

いつも応援してくださっている皆様へ

[nori @waterrazor26]

Johnny Joestar

[xfk.art @xfkart]

Diego Brando and Scary Monsters

#jjbafanart #JJBA #JoJosBizarreAdventure

[Pigeons & Planes @PigsAndPlans]

14 years ago today, Odd Future (@ofwgkta) dropped "Oldie"—one of their most iconic videos that almost didn't happen. It only did because @tylerthecreator refused to let anyone turn the camera off.⁠
⁠
The members of the group told the story of that day in an oral history published by The Ringer in 2022. When Odd Future descended on Milk Studios in Chelsea, the session unraveled fast. The XXL staff "were understandably trying to contain a group of rowdy kids," Mike G recalled, "but we weren't having it."⁠
⁠
Someone plugged in an iPhone, "Oldie" came through the speakers, and director Lance Bangs kept his camera rolling over objections from the room. The moment Tyler realized what was happening, he called the shots: "No, f*ck that, Lance, keep shooting this sh*t.” What followed was a single, unedited take of the entire 10-minute posse cut performed live.⁠
⁠
For @earlxsweat, freshly back from Samoa and still finding his footing, the whole day had a surreal quality: "It just felt like a cartoon, in the sense that n****s just was doin' whatever they wanted to do." For Tyler, zooming out in real time, the stakes were clearer: “I’ve seen music documentaries, this might be the last time everyone's together so we need to document this."⁠
⁠
He was right. "A f*ckin' balloon popped that night, and we all went in our own directions. That was the last time we was all together like that. Still,” Tyler explained. Frank, looking back, arrived at the same place: "The atmosphere reminds me of how it feels to be in a room full of musicians where everyone is improvising and for a brief period it's pure magic. It's the same rush."⁠
⁠
Bangs edited the footage on a laptop during a red-eye to Portland. It now sits at over 56 million views. It cost nothing.⁠