“We're relying on live streams to give us some semblance of normalcy as we chart the months ahead, and paying songwriters for their contributions to these broadcast events must become the norm as well.” Timely and Insightful analysis from @DavidIsraelite. @NMPAorg
@azpeacemakers Also, a great opportunity to share a shot of @MexMoonshine with a friend - the “gift a ticket” option is also simple. You know you would have brought all your friends to a live show anyway, so get out there and gift some tickets. We all know that this show will blow us away!
@katjwinston@nielsen Honored to be the first speaker at the first #musicfinanceforum. The collective brain and financial power of this room is encouraging. The future looks very bright!
Major copyright news out of Europe! In an increasingly global music business, we all need to educate ourselves - the works isn’t done and the discussion will continue. https://t.co/Ai0L9UXlcx
@MarissaRMoss Looking at top Country airplay chart for week-ending 1/31, there is ONE female artist in the top 30 songs (#19 Carrie Underwood/“Love Wins”). Your point is valid and needs to be addressed.
@theglennpeoples@KaceyMusgraves@Grammys That's total radio (all formats) for all her songs combined. Certainly, other formats have and will jump on as well.
You think #CountryRadio will take notice of @KaceyMusgraves now? Total catalog has been averaging 200 spins wkly @ radio pre-@Grammys w/ an audience around 500K. Those numbers spiked last week (+746% in audience) in anticipation of her performance. Is this her #GoldenHour?
@JakeRudh@ElliotEastonEE One of the first LPs I remember buying with my own money. Hopefully, that shows my excellent taste in music more than my advanced age!
First K-Pop album to hit #1 on the @billboard top 200 chart ever - truly historic week for the charts and for @bts_bighit@BTS_twt and the loyal fans @BTS_National! https://t.co/9ho4hsJxh7