@hannah_redler Glad you liked it - I thought it was one of the better discussions I'd heard recently on the topic. Exploring what bias means with AI was well done and as you say, the possibly recursive challenges in overseeing AI pose both challenges and questions.
๐ฌ CALL FOR PITCHES Issue 2 HIDDEN PARTS OF PUBLISHING: How do practical and creative considerations intersect with the vision for an artistsโ book? How does that process change how we read and see it? https://t.co/rQgscFrDmR
Co-founder @davesolo for @aperturemag "In order to help expand the audience of the photobook, criticism must empower a wider community to pick up a book, see and understand what the makers were trying to do, decide whether they agree with the choices" https://t.co/iqnkJYqHUp
The Picture that Remains (The Print Center, 2014) with poems by Thomas Devaney in a dialog sharing impressions with Will Brown's images of 1970's Philadelphia
@cwoodwardpoetry Such a pleasure to discover your work today - and even more so to hear you read it. Many thanks! Also happy to have found some of the poems on @CovenPoetry Looking forward to seeing Flint on the page
We are pleased to announce the upcoming publication of The Dereliction by @MissLizBerry and @bctype. Our new crowdsourcing campaign is here: https://t.co/aYdyCaPmS5, with some wonderful offers from Liz and Tom, and a chance to have your name in the book . . .
As summer thoughts turn to Maine, a new arrival with some quite good photopoetic pairings. Maine Lines - 101 contemporary poems about Maine (Lippincott, 1970) photos by Tom Jones and poetry selected by Richard Aldridge
@RSLiterature @SandeepKParmar Terrific event and I wish it could have continued longer. Interesting to think more about the expectations from and responsibilities of the editor.
Not long to go . . . Our Photo Poetry SURFACES #bpf2021 launch event is Thurs 21 @ 19:00 BST links to free tickets & more info on the launch, the exhibition & the catalogue https://t.co/gwv9UlsE01
Ideas of Order & Disorder - Poems & Photographs by Alicia Suskin Ostriker (Ghostbird Press, 2020) is a pamphlet meandering both through corners is NY as well as through the relationship between poem and photo.