@Krishnathia My, how things have changed: https://t.co/4il570trtf. A scathing exposé of management practices that no Non-Disclosure Agreement can silence. Freedom of the press is a wonderful gift in this democracy of accountability.
You have the perfect song in mind, but do you know how to acquire music rights for your documentary?
Our upcoming MUSIC LICENSING workshop is on 9/22. https://t.co/mVmV52STsJ
Watch the virtual premiere of our 2010 concert "As American As..." (+ details on upcoming season) via this announcement: https://t.co/z5XKpwlqw1. And here's a direct link to the virtual concert: https://t.co/GYZgAGCnrD. Please subscribe there, to see future videos in your feed.
New! MUSIC LICENSING workshop Wed 6/16
You know the perfect song for a scene in your film - What next? Gain an understanding of everything from copyright law to industry rates + more. Led by @hpmoon. Register at https://t.co/BBZMlDVxBx.
When @nomadlandfilm sweeps tonight, remember Paul Schrader's insight it's "fake poverty," & @tnyfrontrow commentary that it's "born of both America’s and Hollywood’s working-class problem: the movie exalts the working class, but it doesn’t let working people present themselves."
Upcoming Online Workshop:
New! FAIR USE on Thu 3/4
Do you always need to obtain permission and pay licensing fees? Gain an understanding of the scenarios in which text, image and sound can be considered fair use in your documentary film. Led by @hpmoon. https://t.co/tyO83agLq8
Confounding how @ava dominates coverage of @krisbowersmusic at https://t.co/ZgzRTGaDrY. Her skills & ethics as documentarian are debatable; her status as a brand franchise is not. Meanwhile, those NOT untouchable never recover from the like of A Wrinkle in Time (losses: $130M)...
Online premiere: 1/30 at noon ET via https://t.co/0NhNONm8fE. Thanks to Paul Singh, Chester Hawkins, and the festivals who have screened this to live audiences in years past, including: @dancaemfoco, @voarte, @noragibson0, @RVAFilmFest, @AVDProject, @AmerDanceFest & @dancinlab
Hang with this three-song set, especially for the ending: an explosion of rage and dystopia and unity, by @phoebe_bridgers for @nprmusic https://t.co/b9wiL4CR97
Review | The new Eisenhower Memorial is stunning, especially at night. But is this the last of the ‘great man’ memorials? | @washingtonpost https://t.co/oAQgUtz8mz
These policies will affect companies, artists, and the communities they serve. You can urge your Representatives and Senators to support the arts by sending them a message with this quick and easy form. https://t.co/VOSVjRBYes
The Gray Market: Why Selling the Mona Lisa Would Be a Ridiculous Way to Try to Dig France Out of Massive Debt (and Other Insights) | @artnet https://t.co/TKhqKU9WDm
Thanks to Washington Classical Review @theclassicalrev for including "H2O" in its line-up at https://t.co/8EtUTw4RnD, along with our extensive archive of music available for streaming at https://t.co/X0C5VQu69e
I'll never forget seeing Brian Dennehy on Broadway in Eugene O'Neill's masterpiece "Long Day's Journey Into Night." May he rest in peace. | @WTOP https://t.co/4mlHICLSQF