Eduard Cuelenaere

Media & Communication Researcher @ Ghent University & Vrije Universiteit Brussel

[EL MUNDO @elmundoes]

Secuelas, reciclaje y algoritmos: por qué los taquillazos originales de Hollywood han muerto con el avance del siglo XXI https://t.co/w6Vf89y8le

[El Mundo Cultura @elmundocultura]

¿Te acuerdas de las grandes películas que reventaban la taquilla? Pues ya nunca volverán.

Secuelas, reciclaje y algoritmos: por qué los taquillazos originales de Hollywood han muerto con el avance del siglo XXI.

✍️ @PabloRRoces
https://t.co/O8t5EVrBO2

[Deadline @DEADLINE]

Belgian Court Rejects Netflix Financial Obligations Appeal But Leaves Door Open For Legal Debate https://t.co/9digKeUg6F

[Eduard Cuelenaere @deduard]

To read the full open access text: https://t.co/OpT0qx7oz2

[Eduard Cuelenaere @deduard]

In a new article, I argue that content recycling is not simply a symptom of creative exhaustion, but a structural logic of platformized cultural production. IP extractivism is brought forward to explain how streamers convert narrative worlds into modular, data-governed assets.

[Eduard Cuelenaere @deduard]

What’s at stake is not simply industrial strategy but cultural power: whose stories become endlessly reactivated, whose labour and local infrastructures supply the inputs, and how is “choice” staged when platforms turn content into managed horizons of repetition.

[Communications @commejcr]

Book Review of "@deduard, Willems, G., & @StijnJoye (Eds.) (2021). European film remakes. Edinburgh University Press. https://t.co/OuHnyhfiKa" by @kalliloo
https://t.co/jUpqNN5RlW

[Kasey Moore @kasey__moore]

Monumental deal.

Can't think of anything that comes close in the past.

[Screen International @Screendaily]

Exclusive: Benelux launches co-development fund to boost regional collaboration https://t.co/xGihyh5FLQ

[The Netflix Film Project @NReviewed]

🚨🚨New publication alert! A report on intellectual property rights in the Euro screen industries that I co-authored with Petar Mitric (University of Copenhagen) for the European Audiovisual Production Association (@cepi_producers). https://t.co/u8rx6LYkQF

[Parrot Analytics @ParrotAnalytics]

🎙️ In our latest webinar on Streaming Economics, @Great_Katzby reveals a critical insight: @netflix's growth in international markets (outside the US) with ad-supported plans isn’t fueled by Hollywood hits—it’s driven by local-language titles.
Learn more: https://t.co/9apqsa9J8k

[David Harvey | @davidharvey.org on Bluesky @profdavidharvey]

How is artificial intelligence going be deployed? We know historically that when machinery came into production, John Stuart Mill said, machinery should lighten the load of labor, I cannot understand why when machinery is actually employed, it is doubling the load of labor. [1/8]

[Eduard Cuelenaere @deduard]

https://t.co/O2QgfRN5ea "Het programma van tv-maker Arnout Hauben kreeg 55 procent van de stemmen van het Nederlandse publiek. Het is de eerste keer dat Belgen deze prijs winnen"

[Netflix NL @NetflixNL]

The King of the camping is TERUG op 20 december. Het is tijd om af te maken wat hij ooit begonnen is.

[Eduard Cuelenaere @deduard]

https://t.co/moqGlWJsxm Studio 100 past openlijk delokaliseringsstrategieën toe: "De inhoudelijk keuzes die Studio 100 met zijn musicals maakt, zijn allemaal ingegeven vanuit de idee dat ze internationaal te spelen moeten zijn"

[The Netflix Film Project @NReviewed]

The quest for synergies continues at Amazon with a new unscripted series for Prime Video that will see contestants pitch products to be sold through Amzn's e-commerce machinery. I for one am surprised it took them this long to come up with the idea. https://t.co/Nj1IRemYhf

[Eduard Cuelenaere @deduard]

https://t.co/MNxh51GXkS "Productiehuizen weten vandaag wat sociale media al tien jaar weten: het doet er niet toe of mensen kijken, lezen, volgen, luisteren omdat ze van iets houden of omdat ze het haten. Oogballen zijn oogballen"

[European Audiovisual Observatory @EuAvObservatory]

NEW FREE REPORT on the top players in the European audiovisual industries! Get it here ▶️ https://t.co/UwuNr5gOAH
Among the top 100 players:
🌐broadcasters took the lion’s share: 68%
🌐followed by telco-driven companies: 20%
🌐and pure SVOD players: 12%
#television #Streaming

[Eduard Cuelenaere @deduard]

https://t.co/ld6w0TgL03 "Het simplistische vriend-vijand-schema, waar verschillende politieke partijen in meer of minder agressieve mate hun electorale succesformule van hebben gemaakt, wordt door een programma als Het Conclaaf overgenomen en versterkt"