Believe it or not, this entire clip required just 45 keyframes to get it right. 17 initial keyframes- one per scene- to get the base scene colors established. A blend of automated and manual colorization. And then the rest are auto-generated from that and minor corrections made.
This was filmed in 1928(!) at Arcadia Beach in Odessa, Ukraine. We've used our latest in-house AI to blend automatic and manual colorization, and restore the details. This clip is part of the compelling "Man with a Movie Camera" experimental documentary.
A small clip from the classic Western movie "Angel and the Badman," originally released February 15, 1947. Restored & Colorized via Recuro Media (in 30 mins).
https://t.co/XxFBqFjwcx
From “Old Ireland in Colour 2”
Free State generals: Eoin O’Duffy, possibly Barra O'Briain, Michael Brennan, Fionán Lynch, and WRE Murphy
Limerick, 1922
Photographer: WD Hogan
Source: @NLIreland@DeOldify#Photoshop
KLM Flight 633 was a passenger flight from Amsterdam to NYC. On 5 September 1954, immediately after takeoff from refuelling at Shannon, the Super Constellation Triton ditched on a mudbank in the River Shannon. 28 people were killed in the accident.
@openbeelden CC BY-SA
@DeOldify
As seen in "Old Ireland in Colour 2":
Workers on the steps of Liberty Hall, Dublin
Saturday, 6th December 1913
Delia Larkin is front centre with the Irish Worker headline
Source: https://t.co/2eNw1vU9gQ @nlireland
Machine and hand colourised/restored (@DeOldify, @Photoshop)
This is so important. Basically, default to being skeptical of any set of metrics you have until you’ve thoroughly compared them to how humans evaluate.
This isn’t just for AI either.
Sometimes….often… there just isn’t a substitute for human judgement.
✨New preprint✨
Zero-shot GPT-3 does *better* at news summarization than any of our fine-tuned models. Humans like these summaries better. But all of our metrics think they’re MUCH worse.
Work/ w/ @jessyjli, @gregd_nlp. Check it out here: https://t.co/vmGsMH1joJ
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John Glen gives Roger Moore the direction of travel. And probably didn’t tell him the tank was nearly empty! (Just fly across the border Roger, you’ll be fine… ) Colourised Image. #bond60#60yearsofBond#jamesbond#deoldify#bondtwitter
Believe it or not, this entire clip required just 45 keyframes to get it right. 17 initial keyframes- one per scene- to get the base scene colors established. A blend of automated and manual colorization. And then the rest are auto-generated from that and minor corrections made.
This was filmed in 1928(!) at Arcadia Beach in Odessa, Ukraine. We've used our latest in-house AI to blend automatic and manual colorization, and restore the details. This clip is part of the compelling "Man with a Movie Camera" experimental documentary.
Here's a great sampler video @RecuroMedia put together both our video colorization work with them, as well as many of their own amazingly effective video restoration filters. It's all fully automated. https://t.co/thQ1RSfpCB
Alison Doody reading the script of AVTAK (colourised as usual). If you zoom in you can see that the page covers the scene where Bond and Tibbet sneak/break into the stables at night. #bond60#60yearsofBond#jamesbond#deoldify#bondtwitter
The #HugoAwards are nearly a month away. In honor of the 80th #scifi#Worldcon and Hugo Gernsback's monumental contributions to our modern world, I rendered a #colorized, superresolution portrait of Hugo from DALL-E mega tiles.