"Why would you, a CEO or executive at a high-profile technology company...proclaim how worried you are about the product you are building and selling?
Answer: If apocalyptic doomsaying about the terrifying power of AI serves your marketing strategy."
https://t.co/J9hca3emoj
My new album is out today. Movement-based synthscapes and augmented vocals contribute to the embodied sound world of the record. #mccall#provenance
https://t.co/LBFCIrXuCo
I’ll be exhibiting a work that explores the geometry of the body at the latest Art Groupie Exhibition. See the full catalogue here:
https://t.co/Cz7SAedKSk
Watch Prof Sophie Scott talk about the science of the human voice for #ALD22. Why do we sound the way we do? How did voices evolve, and how do our brains control them? Find out here: https://t.co/zjuSqjXQca
“…there's a mistaken notion that gender inequality in STEM has been fixed […] a mistaken idea in boardrooms that the problem of the lack of women in tech had been fixed.” @FindingAda#AdaLovelaceDay#AdaLovelaceDay2022 https://t.co/KiccfH3GHO
@AbstractTruth I’ve been pondering this question recently. There is a school of thought that sees artists promoting their own work as desperate. PR can distance the artist from the distasteful task of selling their wares directly, however are probably more useful for easily digestible music.
Day 2 of A Year of Deep Listening:
"POCKET SOUNDS FOR ROUTINE" by Thea Martin
For more about this score and A Year of Deep Listening: https://t.co/JA9lohd4K0
#AYODL