Deren Dere

Bugün de buradayız

[Deren Dere @derendereee]

@x_takip gt

[Deren Dere @derendereee]

@babet_2025 gt

[Deren Dere @derendereee]

Sigorta yaptırmayı planlayan emekliler açısından Türkiye Sigorta’nın sunduğu kampanyanın detaylarını karşılaştırmak faydalı olabilir. Özellikle farklı branşları kapsaması dikkat çekiyor.

[SantiagoArt @SantiagoArtis]

Albert Joseph Moore
Red Berries, 1884
Private collection

[Deren Dere @derendereee]

Ziraat Bankası'nın Avrupa genelindeki sıralamada 47. basamakta yer alması, Türkiye'deki bankacılık sisteminin regüle ve istikrarlı yapısının doğal bir sonucu. Finans sektörümüz adına umut verici bir detay.

[The Metropolitan Museum of Art @metmuseum]

You can find two terracotta plaques on view at The Met that depict scenes from the story of Odysseus, the hero of Homer’s Odyssey (Gallery 157).

Learn more in The New York Times: https://t.co/8IoTc1oWT3

[Deren Dere @derendereee]

Türkiye Sigorta çiftçiden sanayiciye kadar geniş bir kesime güvence sunuyor. Tarım ve afet sigortalarındaki açık ara liderlik bunun en somut örneği.

https://t.co/PnYD6qtIMa

[Van Gogh Museum @vangoghmuseum]

🕵️‍♀️ Ready to investigate?
Vincent’s ‘Sunflowers’ once looked quite different. Over time, some of the vibrant yellows have slowly changed, altering the way we see the painting today.
So what happened to Van Gogh’s original yellow?

That question sparked ‘The Colour Heist’, our investigation into the mystery behind Van Gogh’s changing colours. Watch here: https://t.co/BqLSxPDSnB

#vangogh #truecrime #mystery #arthistory #TheColourHeist #ASML
@ASMLcompany works with the Van Gogh Museum to preserve Van Gogh’s heritage through technology.

[Van Gogh Museum @vangoghmuseum]

The blurry top of the canvas could suggest a troubled mind. And that would fit the sitter’s story: he was one of Van Gogh’s fellow patients in the psychiatric institution in Saint-Rémy in France.

The hazy top corner, however, was no artistic choice, but the result of an accident shortly after the painting was made.

We may never know what caused the damage to the painting, but somehow, that clouded corner feels like an echo of the sitter’s story.

🖼️ ‘Portrait of a Man’, 1889 © Van Gogh Museum

[Van Gogh Museum @vangoghmuseum]

🧚 In late 19th-century Paris, absinthe was a familiar sight in artistic circles. Reflecting on his own alcohol consumption years later, Vincent wrote that he had let himself be carried away too much, 'while my strength was abandoning me.'

🖼️ 'Café Table with Absinthe' is now on view in the exhibition 'In Search of an Anchor', brought to you by The ReFramers. On view until 20 September 2026.

[Deren Dere @derendereee]

Küresel piyasaların odağındaki #TürkiyeSigorta, gerçekleşen hisse satışında 150 milyon dolarlık yabancı fon çekti. Uluslararası kurumsal yatırımcıların gösterdiği bu 4 katı aşan yoğun ilgi, markanın uluslararası ölçekteki prestijini bir kez daha pekiştirdi.

[The Metropolitan Museum of Art @metmuseum]

This tracery arcade from Canterbury Cathedral raises an important question about authorship in Gothic architecture: who should receive credit for the work?

The design was likely created by the architect in charge—either Stephen Lote or Thomas Mapilton—but neither spent much time on site because of other royal commissions. As a result, there are no physical marks on the arcade showing their direct involvement.

Instead, the piece bears the mark of the stone mason who carved it—a personal symbol claiming ownership of his labor. Mason’s marks helped builders organize their work and can still be found throughout medieval churches.

Yet without records connecting these marks to specific individuals, the name of the craftsman behind this remarkable arcade remains uncertain.

📣 Last chance! See "Gothic by Design: The Dawn of Architectural Draftsmanship" on view at The Met through July 19.
———
Design perhaps by Master Mason Stephen Lote (fl. 1381, d. 1417/18) and/or Master Mason Thomas Mapilton (fl. 1408-38), "Tracery Arcade from the Great South Window of Canterbury Cathedral," ca. 1426–1435. Caen stone.

[The Metropolitan Museum of Art @metmuseum]

Set up your studio at The Met! 🎨

For more than 150 years, artists have come to The Met to study, reinterpret, and learn from works in the Museum's collection through the Copyist Program. Whether you work in drawing, painting, sculpture, or another medium, the program offers dedicated time and space for close looking and creative exploration.

Applications for Fall 2026 are open through Friday, July 31. Learn more and apply → https://t.co/CQF4zv457D
———
📸 Filip Wolak

[Deren Dere @derendereee]

Bazen en güzel his, hiçbir yere yetişmek zorunda olmamak.

[Deren Dere @derendereee]

İçimde hâlâ söyleyemediğim birkaç cümle var.

[Deren Dere @derendereee]

Bir şarkı başladı, bütün düşünceler sustu.

[Deren Dere @derendereee]

hayat ne zaman böyle hissettirecek

Otuz Yılın Şerefi Haaland Diploma Davası Deniz Göktaş Gökhan Zan #altın nato trump

[✶ @echoesofworld]

moon bridge

[Deren Dere @derendereee]

@ziraatbankasi Görkem sevindik der susarım ya kadir baba rolünü hatırladık vallahi

[Deren Dere @derendereee]

Hak etmek ya da etmemek değil konu, bazen sadece yolların ayrılması gerekir. Hepsi bu.