@byrdmandx@DrakeDictate I doubt he’s scared. He’s posted controversial things before. He just doesn’t wanna deal with the notifications and crying in the comments 🤷🏽♀️ Drake fans are annoying to deal with. Ppl can still speak their minds via quotes 👍🏾
@MickeyFactz@madd___slander Regardless, Black Friday, like that euphoria 616inLA told us that Kendrick not doing punchlines in his albums is clearly an artistic choice not an inability or lacking. All the most quotable punchlines, entendres, and metaphors are from his records. Ppl got amnesia.
@MickeyFactz@madd___slander Nas gets distinction from Lupe after readjusting his stance “he’s not a punchline rapper but that doesn’t take away from his lyricism” but Kendrick gets “Logic is better than Kendrick cuz of his punches etc”. Wheres the distinction? I digress.
@FrogChronoTrigr@IssaGou@scrufacejean His opinion on Kendrick’s as an lyricist isn’t a new one and it’s never been a popular one. It’s one he’s had for over a decade. it’s just coming to a head now that he’s having to explain other lyricist similar to Kendrick. Like I said consistently contrarian
@UnoThatOneGuy@BarryWebber7 His argument is with you saying intricate doesn’t mean lyrical then you gave your definition and Nas hits all those things you listed. Hence illogical reasoning for your first comment “intricate doesn’t mean lyrical”
@larry7657316@FrakThePerson He had to clean it up to mean specifically punchlines. He had to adjust his argument cuz he realized ppl were going to fry him. So no, initially he was speaking on what he defines as a lyricist.
@Malcolmred7 This is why his narrow view of lyricism is wrong imo. It leads to discounting Nas as a top tier lyricist. He had to adjust his bs argument in real time(“oh I mean he’s not a high ranked punchline lyricist”) to account for Nas. But won’t do the same for Kendrick
@Domthgreat@MickeyFactz Maybe he ment what’s easiest for him personally? I dunno. I hope he answers you tho. Thought this was interesting
https://t.co/FZ9rxh6ewe
Yes. I mean conceptual execution. Everyone was flabbergasted when Nas wrote Rewind. That was a constraint with storytelling. Now in terms of flow, that would be somewhere after metaphor. For me, we were talking strictly writing and reading from the paper.
I’d love people to trust what we have as a benchmark and then ask the writers what is the easiest to the most difficult
Yes. I mean conceptual execution. Everyone was flabbergasted when Nas wrote Rewind. That was a constraint with storytelling. Now in terms of flow, that would be somewhere after metaphor. For me, we were talking strictly writing and reading from the paper.
I’d love people to trust what we have as a benchmark and then ask the writers what is the easiest to the most difficult