Plutarco, s. II
Lo malo de no saber es no haber sabido. Ignorar que ya todo sucedió. La crudeza de haber obrado mal no por imperativo, sino por la desidia de elegir no saber, en la interpretación más piadosa.
Jimmy Carr shared a brutally honest take on life without kids that will hit hard for anyone who's ever weighed the choice:
“Not having kids was like living life with a cheat code on the video game. Super easy. Low stakes. No real skin in the game.”
He continues:
Once you have children, your heart literally lives outside your body.
You worry about mortality differently — because now dying means saying goodbye to them.
Suddenly you're not playing on easy mode anymore. You're at the high-stakes table.
And his final word? “It’s very joyful.”
In 54 seconds he captures something profound:
The deepest fulfillment often comes from the highest risk — the one where you have everything to lose.
Parents: Does this perfectly describe the shift you felt?
Child-free: Does it change how you see the trade-off?
Recorded back in the 1960s, John Cleese (of Monty Python fame) made an excellent satirical commentary exposing the friend-enemy distinction as being at the heart of both far-left and rar-right extremism, inter alia, including its psychological appeal.
In Hollywood, Rob Reiner was a rare talent: he could act, he could produce, he could direct, and he was amazing at all three. He was a creative genius who left us some of the greatest movies of all time, and he was a wonderful friend. My thoughts are with his family.
"No hace falta quemar libros si el mundo empieza a llenarse de gente que no lee": Bradbury comprendió, años después de "Fahrenheit 451", que la paradoja era un Montag sin memoria o -al menos- sin curiosidad por explorar una biblioteca que aguarda al lector ávido de sus signos.
La innovación educativa es el hámster dentro de la rueda. Un constante ínterin, un proceso en apariencia interminable en cuyo fin, caso este de existir, sólo aguarda la nada.
https://t.co/gikhkHewuG
Que porque “los mejores años de nuestra vida” es una obra maestra ? Pues mirad que escena , Myrna Loy y Fredric March , dirigidos por el maestro Wyler , casi sin palabras , con silencios , un pasillo , un encuadre perfecto … todo a flor de piel . PURO CINE