๐บ๐๐๐๐-๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐ - ๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐ ๐ ๐๐๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐, ๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐, ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐
Iโll be presenting a series of exhibitions in partnership with the engineering team of the Distributed Gallery collective, under the curation of Georg Bak and with the support of ChainLink. Each month starting from May 2024 - May 2025, select artists will be releasing new bodies of work on verse through a bespoke protocol [aside]. These include Anna Ridler, Lauren Lee McCarthy, Rhea Myers, Jarred Tarbell, Travess Smalley, Obvious, Ubermorgen, Addie Wagenknecht, Ivona Tau, Leander Herzog, 0xFFF, Mathcastles and Primavera de Filippi.
We all know that smart contracts are self-executing contracts with the terms of the agreement directly written into the lines of code. In digital art, smart contracts introduce a dimension of authenticity, ownership, and interactivity. They enable artists to create works that are not only visual or auditory but also programmatically dynamic, allowing for art that can evolve over time, respond to external data, or even incorporate rules for audience participation. For me, itโs a form that challenges and expands our understanding of what digital art can do, and challenges current traditional art market structures. By leveraging blockchain technology, these works question the very nature of art ownership and distribution.
[aside] is a protocol (system for organising the buying and selling of digital artworks) with a custom time-lock feature that links the liquidity of artworks to real world events through the use of oracles. The oracles of ancient Greece were conduits, providing a means of communication between mere mortals and the gods. Utilising a Chainlink oracle we will be able to communicate between the decentralized Web3 ecosystem and the โoutsideโ world, connecting on-chain and off-chain infrastructure. This temporarily immobilises tokenised assets on the Ethereum blockchain, rendering them non-transferable for a predetermined duration or until a specified event, be it social, natural, economic, astrological.
By extracting an NFT from market mechanisms, the [aside] protocol restores a stillness outside the flow of exchange. The artworks gain a presence independent of the economic sphere: aside from markets, aside from speculation, aside from value.
I remember few times when some of the artists in this selection shared with me their ideas for the time-lock, and when I learned about [aside] I realized we could finally make this happen. Iโm really excited and grateful to be able to work alongside Georg, the Distributed Gallery Collective & Chainlink together with all the participating artists, each of whom Iโve been looking up to for the last few years. Stay tuned ๐ฎ
Pixel Keffiyeh for #Tez4Pal
OE @ 1 tez, open for 1 month
100% of the proceeds are directed to the fundraising wallet for @INARAorg to support humanitarian relief efforts in Gaza.
๐๐๐ป
12 Governments have decided to withdraw humanitarian aid funds from UNWRA ... 71 Artists raised 3300 $xtz for @INARAorg ...
That's the Decentralisation, baby ... #Tez4Pal
g.m.
We are excited to announce Objkt Galleries.
Our exclusive and trusted launch partner @fakewhale_xyz will present the first Decentralized Autonomous Gallery.
- Smart Contract-Based System Tailored to Digital Galleries
- Transparent, Enforcable Fee & Royalty Structure
- Trustless High-Value Token Sales Facilitation
- 'Open Invitations' for Broader Participation
- Customizable Gallery & Exhibition Pages
- Flexible Permission System for Curators
- Extendible Minting Options, Including: 1/1s, Limited & Open Editions, Long-Form Generative Art and more
Save the date for the launch on February 7th.
Sรณlo la sed
el silencio
ningรบn encuentro
cuรญdate de mรญ amor mรญo
cuรญdate de la silenciosa en el desierto
de la viajera con el vaso vacรญo
y de la sombra de su sombra
poema Nยฐ 3 de Alejandra Pizarnik