The racist, anti-Irish rhetoric in Sinners is absolutely disgusting.
800 years of oppression and slavery, and we are portrayed like this?!
At least we were not sold to slavery by OUR OWN PEOPLE, unlike Africans.
Anyone associated with this movie should be ashamed.
#Oscars
The revisionism is that the Phantom Menace was hated when it came out.
It wasn't. The hype was real. I was there.
The Duel of the Fates, the Podrace sequence and on and on.
It was AFTER���around the time of Attack of the Clones—when the internet rewrote history to dump on it.
Probably around the same time it became trendy for developers to release unfinished, out of touch slop that no one wants to play.
Been seeing it more and more in recent years.
Henry Cavill movie ‘ARGYLLE’ surprised director Matthew Vaughn with its negative reaction.
“We didn’t make Citizen Kane, but f*cking hell, then the reviews came out and I’m like, ‘Wait, what have I done to offend these people?’ They were vitriolic.”
Major IP, movies & companies that Netflix will acquire if they successfully buy Warner Bros:
• Friends
• Ocean’s
• Gremlins
• Evil Dead
• Mad Max
• The Matrix
• Beetlejuice
• DC Comics
• Adult Swim
• Tom & Jerry
• The Jetsons
• Casablanca
• Harry Potter
• Citizen Kane
• The Goonies
• Scooby-Doo
• Rick & Morty
• Johnny Bravo
• Looney Tunes
• The Hangover
• The Conjuring
• The Sopranos
• Robot Chicken
• Mortal Kombat
• HBO/HBO Max
• Smiling Friends
• The Flintstones
• The Boondocks
• Adventure Time
• Sex and the City
• Final Destination
• Cartoon Network
• Game of Thrones
• Singin' in the Rain
• The Powerpuff Girls
• A Clockwork Orange
• The Big Bang Theory
• Minecraft (film rights)
• Courage the Cowardly Dog
• TCM (Turner Classic Movies)
• The Wizard of Oz (original film)
• Dune 3 (only distribution rights)
• The Lord of the Rings (film rights)
• Every TT Games-made LEGO game
• MonsterVerse (only distribution rights)
• WB Games (including TT Games, Netherrealm & Rocksteady)
Actually, I am a film student, and Stanley Kubrick's use of symmetry is way more advanced than it looks. He did not just place a camera in the middle of a corridor
You can see immediately that with his centered shots, the vanishing point in the middle of the frame draws the eye in. That center point becomes where the story's power, threat, or mystery is focused. Even before anything happens in the scene, the composition is already guiding your attention
What makes this more complex than it seems is how everything in the frame is planned. Set design, props, lighting, costumes, and camera placement all work together to make the symmetry feel natural and intentional. The wallpaper in The Shining, the corridors in 2001: A Space Odyssey, and the army formations in Full Metal Jacket aren't just backgrounds-they're part of the shot's geometry. Kubrick didn't just point the camera down the center of a hallway he built the whole frame around that line
It's not all conceptual, though. The technical choice of lens, height of camera, and position in the room makes a great difference to the strength of perspective. Wide lenses distort it, elongating depth, and longer lenses compress it. But Kubrick doesn't just stay perfect; he often breaks the symmetry with movement. A character might step off-center, or something enters the frame unexpectedly. Because the audience has been trained to expect balance, breaking it feels dramatic and almost unsettling. It creates a very sanitized image that, upon breaking, feels meaningful
All of this goes largely unnoticed if you are not super into movies and can notice subtle diffrences in lightning or a lens swap
Yeah man, Kubrick basically just dropped the camera in a hallway lmao. Cinematography BTFO'd...
As long as we ignore symmetry, colour, depth, mood, negative space, contrast, lighting, tone, focus, leading lines, composition, framing, balance, background/foreground and all that silly stuff.