COWBOY BIANKI🐝⚓️

fan account || tiktok: @biankidiana

[COWBOY BIANKI🐝⚓️ @divahive]

OLHA QUEM FOI REPOSTADA PELO ACCESS AMIGOS

[Luke Hemerly @lukehemerly]

lindo que pode passar anos, independente do lugar, da situação, a Beyonce em algum momento vai passar a mão no buço pra secar o suor

[𝚂 °.🥥⋆❀˖°🏝️ @ERAOFMONE]

FILTHY.

[COWBOY BIANKI🐝⚓️ @divahive]

@beyonceaccess ooooi so pra complementar, ela nao vai se apresentar; ela vai dar aula!

[onii ☆▷ @__Onixivy_]

Beyoncé gave birth to twins after a high-risk pregnancy. She developed toxemia and preeclampsia, had an emergency C-section, and described the delivery as extremely difficult. At one point (in her docu) saying one of her twins’ hearts stopped in the womb.

Less than a year later, she had about 8 months to prepare for Coachella. Rehearsals didn’t even fully ramp up until ~115 days before the show, and she was putting in 8–12 hour days while still recovering from major surgery. She lost 100 pounds and then stepped on that stage and delivered THE GREATEST coachella performance of all time.

In Homecoming, she made it very clear how physically and mentally intense that process was and that she would never push herself like that again.

And yet… look at the contrast. Men can get on stage unprepared, forget lyrics, sit down mid-performance, and it’s framed as “relatable,” “funny,” “he’s healing,” whatever narrative people want to spin that day.

But if a woman… especially someone like Beyoncé…showed up anything less than perfect? It wouldn’t be a joke. It would be “she’s washed,” “she doesn’t have it anymore,” “her career is over.”

Women in entertainment are expected to be superhuman AT ALL TIMES, even after literally risking their lives to give birth. Meanwhile, men are allowed to be mediocre in public and still be protected by the narrative.

Men should be stoned. The double standard is exhausting and it’s time we start being honest.

[LUCΔS @lucas_sartorato]

Assistir isso aqui numa live de 4 pixels no Instagram foi O MOMENTO para mim sei exatamente o dia e a hora que minha alma foi arrebatada 😭

[COWBOY BIANKI🐝⚓️ @divahive]

esse video foi no rock in rio de 2013? nao acompanho muito

[miss honeyzinha ☆ @misshoneyzinha]

this is how Chris Brown fans think Beyonce should dance 😭

[Austine @theereal_one]

You simply could have just put Rihanna’s pic first. Little things like this piss me tf off

[bigboy Goku @mrbevicious]

Beyoncé transcended being a music artist when she released Lemonade. She used that album to intertwine music, storytelling, poetry, and visuals. Everything she does now is done with intention to blend multiple creative mediums, using music as the vehicle to deliver it. It would be easy for her to make albums for stats and sales, but she turns away from that because she would only be consumed by chart positions. People pay attention to her because she has mastered the stage, yet her real artwork lives in the music. She is at the apex of her creativity, yet she is compared to artists who don’t put in half the work she does to show the world their art.

[Yams Cooking Yams⚜️ @LiviSymone]

“Tap me on the shoulder when you reload the gun”
Lil freaky ass lady😭

[THUGGA @THUGGABEY]

HISTORY CANT BE ERASED 🗣️

[Hailey @haileymich_]

Still annoys me how people missed Beyoncés messaging but completely understood Bad Bunny’s

[Nǝʞo ⛺️🐝 @stallinek0]

I mean period but when it’s Beyoncé everybody is fucking confused 😭😭

[Beyoncé Access @beyonceaccess]

ACT III IS COMING 🤘🏽🎸

[act iii Updates @B7Album]

1 last week of Cowboy Carter’s reign as Album of the Year

#GRAMMYs

[act iii Updates @B7Album]

"Artificial intelligence robbing you of perception and likeness like bandit settlers once did the land."

- Beyoncé (Cowboy Carter Tour Book)

[Beyoncé Access @beyonceaccess]

🚨 A dica da Beyoncé pro ACT III vem direto de “WHOLE LOTTA LOVE” — regravada pela lenda do rock Tina Turner em 1975, mas foi originalmente “ROUBADA” pela banda Led Zeppellin da lenda do blues Willie Dixon. 👀

Partes da letra da canção da banda inglesa foram “adaptadas” da música “You Need Love”, escrita pelo cantor e compositor negro Willie Dixon, um dos nomes mais importantes do blues e uma das inspirações para a criação do Rock N’ Roll. A primeira gravação dela aconteceu em 1962 por Muddy Waters, o verdadeiro rei do rock. ✊🏽

A banda originalmente não deu crédito para Willie e seguiu o ignorando durante 23 anos. Um processo judicial de direitos autorais em 1985 foi resolvido com um pagamento a Dixon e ele recebe crédito explícito desde então.

Com essa referência específica, fica claro o recado: Beyoncé está vindo reivindicar mais um ritmo que foi embranquecido. A verdadeira história do rock não será apagada! 🎸🔥

[COWBOY BIANKI🐝⚓️ @divahive]

@YupHoneyBee duvido. ela grava deitado porque pega tudo. diferente do resto do mundo, nao existe a preocupação de registrar na vertical pra caber nos stories/tiktok

[guh knowles 🎸 @guuhknowles]

não aguento que o Kendrick fez uma música se declarando pra Bey