Music marketing should be accessible for every artist that wants to get heard.
Which is why I built DIY Music Makers.
Personalised digital marketing services in all shapes and sizes to suit artists at every level of their career.
Join me here: https://t.co/jnzp7YOrpG
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How to prepare for the end of the Spotify streaming model.
Step 1: Get a website that allows you to sell music, merch, whatever.
Step 2: Pivot from quantity over quality, to quality over quantity. Lots of music makers putting music out for the sake of stream #'s. ๐๏ธ
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Step 3: Get hyper-focused on upgrading your video content. Get a camera: Live Streams, Music Videos, Improve editing Skills. ๐น
Step 4: Nurture no grow. Change focus from capitalist-style hyper-growth to understanding your current audience. Love and provide for them. ๐ผ
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If we want quality music somebody is gonna have to pay for it. Streaming services donโt pay properly, labels want a bigger cut than ever and just sit and wait for you to go viral, TikTok doesnโt pay properly, and touring is getting prohibitively expensive for most artists.
Episode #1 of the DIY Music Makers Podcast is LIVE:
https://t.co/sy4mqn57zO
Some casual natter about my beginnings and my insights into the current state of music marketing.
Enjoy!
Music marketing should be an extension of your artistry.
Avoid thinking of it as a chore and work towards enriching your music with killer visuals
If you're putting 99% effort into productions and 1% promo, you'll wrap up the project feel deflated ๐ฎโ๐จ
@Dark_winterr@southwortha 1st song as well. Throwing money at it for numbers on a screen, is how I see it. $1500 could get you a decent social marketing and branding campaign, looking towards the long term. Money in the hole.
For everyone saying how "genius," "brave," and "creative" Andre 3000's new flute album is, the biggest song on the album has 17,000 streams. The last song has less than 2,000 streams. In comparison, Outkast still gets 20 million listeners a month. So yeah, the numbers speak for themselves.