@weoutherefest was nothing short of incredible. A stacked lineup of music, a beautiful site, and an impeccable atmosphere brought by the punters. Here are a couple of features I contributed to its inaugural magazine. Congrats to everyone behind the scenes who made it so special.
Review of the third @EzraCollective album for @ClashMagazine. It’s a joyful ode to the dancefloor, bottling the energy of their notorious live performances. ⭐️⭐️⭐️⭐️ from me
https://t.co/Xv1GIBjUNV
Beyond chuffed to see this feature for the @NewHumanist on the page. In it, I explore the cultural craze for ‘kidulting’ and why many modern adults are tapping into nostalgia as a coping mechanism. https://t.co/HsbsUQctC4
@weoutherefest was nothing short of incredible. A stacked lineup of music, a beautiful site, and an impeccable atmosphere brought by the punters. Here are a couple of features I contributed to its inaugural magazine. Congrats to everyone behind the scenes who made it so special.
Another @ClashMagazine live report from a couple of months back. @joeArmonJones and friends lit up Camden's @RoundhouseLDN for an intimate Sunday night session
https://t.co/rPJhYromwh
Some words written for @ClashMagazine back in April after a huge performance from @underworldlive. Thousands gathered at Manchester’s shiny Aviva Studios for an evening of nostalgic escapism - and it didn't disappoint
https://t.co/nN5jNXqEpb
didn't love writing this, but thought it needed to be said
Glastonbury was great (always is), but the festival is clearly struggling to keep pace with audience demand in ways that risk eroding its best qualities
not too late to change course. here's how https://t.co/RwYPaMM9AS
Reviewed LG’s Friday night gig for @ClashMagazine - only to get a shout from the man himself 🤯 have a read of the words below x
https://t.co/b9vf1zpZQm
50 days away: Earth Overshoot Day, when humans begin living beyond their ecological means and move into the ecological equivalent of deficit spending for the calendar year (29 Jul)