Juan Manuel Grosso

Ginecologo Obstetra Egresado del Instituto Nacional de Perinatología Ex coordinador de la clínica de Adolescentes del INPer

[Forever Louise Brooks @ForeverLouiseB1]

Louise poses on the set of When You’re in Love (1937). Columbia gave her minor uncredited part as a dancer with the understanding that she would be offered a new screen test and future roles. The studio reneged on the deal.

[Forever Louise Brooks @ForeverLouiseB1]

Louise with Gregory Kelly on the set of The Show-Off (1926).

[Forever Louise Brooks @ForeverLouiseB1]

Louise in a fashion photo by Eugene Robert Richee, 1928. I’ve posted a few similar takes from this session but this is a new one.

[Lycaon ࿓ @Lycaones]

Perro acostado dentro de la Boca de la Serpiente de la Pirámide de Tenayuca Edo. de México 1934
Fotografía: Henri Cartier Bresson

[.stuff @vintagestuff4]

Poem 8
dir. Emlen Etting
1932

[Forever Louise Brooks @ForeverLouiseB1]

Louise from her Ziegfeld Follies days. Photo by Edwin Bower Hesser, 1925.

[Forever Louise Brooks @ForeverLouiseB1]

Louise poses with “Dismal Desmond (The Doleful Dalmatian)” and “Bonzo” in 1928. Both stuffed toy canines were modeled on popular cartoon characters of the era. Photo by Eugene Robert Richee. (Thread)

[Noirchick In Old Hollywood @Noirchick1]

Like a whisper from the past... a moment with Louise Brooks at her dressing table nearly a century ago... in "A Girl in Every Port"

[Forever Louise Brooks @ForeverLouiseB1]

Louise by George Hommel, 1927.

[Forever Louise Brooks @ForeverLouiseB1]

Louise with Fritz Rasp in a still for Diary of a Lost Girl (1929).

[Forever Louise Brooks @ForeverLouiseB1]

Louise as Lulu awaits her cue with the stage manager (Sig Arno) in Pandora’s Box (1929).

[Forever Louise Brooks @ForeverLouiseB1]

Louise at fifteen just prior to heading to New York in the summer of 1922 to join the Denishawn Dance Company. “After getting off the train from Wichita, Kansas, I walked into Grand Central Station and fell in love with New York forever.”

[Forever Louise Brooks @ForeverLouiseB1]

Louise in a photo promoting her dance performance at Miller Theatre in Wichita, Kansas, 1923. This was a return visit for the sixteen-year-old after leaving for New York the prior year to join the Denishawn Dance Company.

[Forever Louise Brooks @ForeverLouiseB1]

Louise and Foster pose with a gaggle of reporters in the cast of It Pays to Advertise (1931). “Now just raise the skirt, just a trifle...Oh boys! Take a look at those gams!” Louise as Thelma Temple replies, “Mmmm...pat it all better. What do you think you are, a chiropodist?”

[Forever Louise Brooks @ForeverLouiseB1]

Louise poses with Norman Foster on the set of It Pays to Advertise (1931). Although she had been dropped by Paramount in 1929 she was still contractually obligated to appear in one more film for the studio.

[Forever Louise Brooks @ForeverLouiseB1]

Louise poses in a velvet and satin “pajama suit” for a fashion photo session with Eugene Robert Richee, 1927.

[Forever Louise Brooks @ForeverLouiseB1]

Louise models a kimono in a hand-tinted Spanish postcard, 1927-28.

[Forever Louise Brooks @ForeverLouiseB1]

Louise poses with a record player as she sits on the deck of a transatlantic liner, 1925.

[Forever Louise Brooks @ForeverLouiseB1]

Louise as Lulu admires the impressive muscles of strongman Rodrigo Quast (Krafft-Raschig) when they first meet in Pandora’s Box (1929).

[Forever Louise Brooks @ForeverLouiseB1]

Louise at sixteen in a 1923 photo for The Denishawn Dance Company. “She wouldn’t let us smoke or eat candy or stay up late or anything,” Louise later said of the group’s co-founder Ruth St. Denis. “We did nothing but work and dance.”