In which we unpack two very different physical media releases from @VisualVenVideo: Robert Sigl's foggy gothic horror Laurine, and Donald Farmer's sicko hair metal demon flick, SCREAM DREAM https://t.co/7dPfMI56r2
Looking for your next read? DoomRocket spotlights two Image Comics titles you won't want to miss: TERMINAL #1, the explosive new superhero epic from ROBERT KIRKMAN & JOE CASEY, and REGICIDE #1, the dark fantasy series being described as "Dracula meets Berserk." Read more:
https://t.co/IlNzqyvFno
I like BATMAN: CAPED CRUSADER -- it embraces the characters' pulp roots, isn't afraid to kill off its characters, and boasts a version of Rose & Thorn (!) that's one for the books -- but I don't love it. Figuring out why is the reason I wrote this:
MADDIE'S SECRET is John Waters mischief, David Wain shagginess, queer-pop giddiness, and a tender heart wrapped in shimmering cellophane -- an uncannily strange yet deeply heartfelt debut that goes down a treat. My review:
Alex Chandon’s Cradle of Fear (2001) is a gory, vicious, and oddly engrossing series of terror tales that combine into one provocative, grueling bloodbath.
Our review of @Unearthedfilms's Blu-ray release, on sale now: https://t.co/rA27sCox9R
After one hell of a month, I dove into an appropriately weirdo private festival of oddballs, including CHAPTER 51 (pretty, pretty fun and pretty dumb), NIGHT AFTER NIGHT (moody and mopey), and LOCKBOX (clumsy yet watchable). Grateful to finally be back in the game:
MASTERS OF THE UNIVERSE: Mattel's first (though certainly not last) Marvel movie is a colorful toy-smasher that's unyieldingly frivolous and empty-headed in its ideas about positive masculinity. And the weird thing? Leto's kinda great as Skeletor.
My review:
If only SPIDER-NOIR dared the same strange, belligerent corners of the genre as its nervy lead, this middling Marvel effort might have been the stuff dreams are… ah, you get it.
More over at DoomRocket: https://t.co/bnP1b3Q61B