Charting Space: cartographies of conceptual art, published by @ManchesterUP, is here!! Thanks again to the contributors involved and @AnnaBellaGeiger for the cover image!
https://t.co/i0ihSd42Nd
The Venice Biennale name Koyo Kouoh, who currently leads one of Africa’s most important art museums, as the curator for its next edition. https://t.co/v6PED8gGoN
💥The Andy Warhol Foundation Arts Writers Grant is excited to announce its 2024 grantees! Congratulations to the 30 writers who received support for their articles, books, and short-form writing.💥
Read about this year's grantees and their projects: https://t.co/mvnaIl4geS
Olga de Amaral Connects Ancestral Roots and Modernism at Fondation Cartier. This exhibition foregrounds the boldness of textile art, long marginalized due to the perception of it as a decorative craft practiced mainly by women. By Elisa Carollo https://t.co/dw1i4P35T4
I've been collaborating with Lara Demori and Felipe Martinez to address narratives of Latin American artists in Europe, which is taking shape as a conference at the Max Planck Institute.
Check out the CFP that just dropped and consider applying:
https://t.co/MTCpWCm7Ks
@javiperezosorio@Alex_ABlas@SLASLatAm That was lots of fun! I was delighted to finally meet you and Alexandra. Can't wait to read more work from your current project!
This Saturday 8 June, come to the archival presentation - Art Systems in Latin America. A traveling exhibition from Buenos Aires (1974-75) - @MHKAmuseum. A collaborative project with Ine Engels, with Wouter Davidts and the KB45 research group.
https://t.co/I0RBP7kJX1
Love how art and art history was a small feature in Ezra Klein’s latest podcast on the subject of attention. From Jonathan Crary’s book Suspensions of Perception to art (and education) as one of the few spaces of “non-instrumentalizable attention”.
https://t.co/AUToU9OIyB
Send a proposal for the workshop I’m co-organizing with Agata Jakubowska - Women and mail art: Gendered perspectives on marginal artistic practices. Deadline 15 June.
🎥 🍃 Indigenous film, art and activism: counter-cartographies of the Amazon
🗓️ 9 May
📍 CRASSH
https://t.co/oqucbbfddk
Join us for contemporary films by indigenous creators, alongside discussions on historical marginalisation in the Amazon region
@CLAS_Cam@MMLL_Cambridge
Only a few tickets left for this exciting event tomorrow. Come and learn more about @lisa_blackmore's research, the Bogotá river, river dwellers/activists, and the current forms and possibilities of socially engaged curating. @CILAVSbbk@BirkbeckHoA@MuseumsBirkbeck@BirkbeckHCA
Come join us tomorrow evening 25 April @unibern for a public lecture by art historian Alex Alberro who will speak on “Contemporary art at the nexus of cultures”. More details at the 🔗:
https://t.co/DzGQcLeIyC
Class excursion to the Kunstmuseum Winterthur today and Michael E. Smith’s quintessentially American found objects evoked many memories of “home”, but this work with tiny elementary school chairs elicited such a rich emotional memory of my childhood.
Who is the Venice Biennale's curator, Adriano Pedrosa? According to the art world: hot and smart.
We went a little deeper into this year's exhibition, why there are so many dead artists, and if the art world olympics has a future.
https://t.co/uK5NIi9yTK
Did you see the #solareclipse?
Solar eclipses have captured the imaginations of artists and curious minds since early human history—at least since the first time one was allegedly predicted in 585 BCE by Greek philosopher Thales of Miletus. Here are a few from our collection:
“Talent is insignificant. I know a lot of talented ruins. Beyond talent lie all the usual words: discipline, love, luck, but most of all, endurance.”
Baldwin's timeless advice on writing, which applies to all creative work https://t.co/bdAD88YayJ